Edmund White Quotes
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New York has been the subject of thousands of books. Every immigrant group has had its saga as has every epoch and social class.
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My mother was terribly invasive, all in the name of psychiatric honesty. It was a bad thing in some ways, but I do think it had the effect of making me interested in 'the truth' as a writer - more than beauty, more than having a shapely story.
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Why did mainstream America come to accept marriage equality? Gay leaders had made a convincing case that gay families were like straight families and should have the same rights. The American spirit of fair play had been invoked.
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Do we regard language as more public, more ceremonial, than thought? Just as family men condemn the profanity on the stage that they use constantly in conversation, in the same way we may look to written language as an idealization rather than a reflection of ourselves.
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Barack Obama's decision to come out in favour of gay marriage may be a historic occasion, but it is not an isolated one. His administration has been making pro-gay noises for some time; his demographic in the upcoming election is young and educated, precisely the group that favours equality for the LGBT community.
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I asked my body if it was going to die or not from AIDS. And it said 'no.' I sort of paid attention to that.
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Nothing lasts in New York. The life that is lived there, however, is as intense as it gets.
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Whereas fiction is a continual discovery of what one wants to say, what one feels, what one means, and is, in that sense, a performance art, biography requires different skills - research and organization.
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In retrospect, we could see that the 1950s had been a reactionary period in America of Eisenhower blandness, of virulent anticommunism, of the 'Feminine Mystique.'
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A straight writer can write a gay novel and not worry about it, and a gay novelist can write about straight people.
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I've always seen writing as a way of telling the truth. For me, writing is about truth. I have always tried to be faithful to my own experience.
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Perhaps we'd understood each other too well to be attracted to one another. There were no occlusions in communication, those breaks in understanding that awaken desire.
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I think I could be a cook. Everybody always says I'm good, though I think it's quite gruelling as a profession.
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I've accompanied several dying people on their travels, and the desert seems to be a favored destination. It is very hot and dry and lyrical in its own way.
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Everyone seems agreed that writing about sex is perilous, partly because it threatens to swamp highly individualised characters in a generic, featureless activity (much like coffee-cup dialogue, during which everyone sounds the same), and partly because it feels... tacky.
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There is an enormous pressure placed on gay novelists because they are the only spokespeople. The novelist's first obligation is to be true to his own vision, not to be some sort of common denominator or public relations man to all gay people.
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He's scattered, his sentences trail off, he sighs frequently, as though he's so intelligent he's always frustrated by the formulaic nature of speech (each sentence a ride you can't get off once the attendant buckles you into the car).
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I used to think that I could be successful if I pretended to be a 23-year-old black woman. I wanted to find a young black woman who would be willing to go in on this with me. I would write her novels, and then she would do the touring. I always thought I was too old and the wrong color.
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Being up on something is a way of dismissing it. To espouse any point of view is a danger - it might leave us stuck with last year's cause. Prized for their novelty alone, ideas, gimmicks, trends become equivalent, interchangeable.
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I am, I must confess, suspicious of those who denounce others for having 'too much' sex. At what point does a 'healthy' amount become 'too much'? There are, of course, those who suffer because their desire for sex has become compulsive; in their cases the drive (loneliness, guilt) is at fault, not the activity as such.