Rei Kawakubo Quotes
For me, creation can only come out of a certain kind of unhappiness. They say in Japan, this thing like the hungry spirit - the hungry mind - is what gets you going forward.
Rei Kawakubo
Quotes to Explore
The penalty may be removed, the crime is eternal.
Ovid
I was only interested in my scene, and I had to go through thousands and thousands of other scenes. I got my scene and I read it many, many, many, many, many times. That was my research.
Ralph Fiennes
We did a lot of those road trips, all the mandatory stuff that you should when you're a kid, like Mount Rushmore and the Grand Canyon and the Sequoias and the western coast.
Vicki Lawrence
I got interested in decathlon because a coach that I had was a big fan of Bruce Jenner, and he just saw the ability in me - but when it came down to it, I knew my best chance at a college scholarship would be in track and field.
Dan O'Brien
I don't sit and write stand-up material; I come up with an idea onstage.
T. J. Miller
Pilates is great.
Orlando Bloom
Remember that adversity presents us with numerous possibilities for success, if we are just willing to see them.
Lou Holtz
Falling in love is not an extension of one's limits or boundaries; it is a partial and temporary collapse of them.
M. Scott Peck
We should say to God as we mingle with our dear ones each day, "God, give them each Thy blessing. They need it, because they live with me, and I am very selfish and unwilling to sacrifice very much for them, although I do love them.
Ole Hallesby
Peace and war begin at home. If we truly want peace in the world, let us begin by loving one another in our own families. If we want to spread joy, we need for every family to have joy.
Mother Teresa
The mind of one who practises doesn't run away anywhere, it stays right there. Good, evil, happiness and unhappiness, right and wrong arise, and he knows them all. The meditator simply knows them, they don't enter his mind. That is, he has no clinging. He is simply the experiencer.
Ajahn Chah
The photographer proceeds, via the intermediary of the lens, to a point where he literally takes a luminous imprint, a cast... [But] the cinema realizes the paradox of moulding itself on the time of the object and of taking the imprint of its duration as well.
Andre Bazin