Ryuichi Sakamoto Quotes
Conceptually, I am open to mistakes - errors, actually. I do play lots of wrong notes while I am making some music, and a mistake or a wrong note is like a gift for me: 'Oh, wow, an unknown sound or an unknown harmony. I didn't know about this.'
Quotes to Explore
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If you go to a tree with an ax and take five whacks at the tree every day, it doesn't matter if it's an oak or a redwood; eventually the tree has to fall down.
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What brought the British to the Gambia in the first place - which was bigger than it is now - was trade in ivory because the Gambia had a lot of elephants. They wiped out all the elephants and ended up selling Africans.
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Nobody can teach what is inside a person; it has to be discovered for oneself and a way must be found to express it.
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I'm not a power person. I like everyone to be on an equal footing.
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I am not an American; I am the American.
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I now believe that major labels can only work with people who care more about fame and money than the quality of the art they produce.
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I will not contest my parliamentary seat in a sad election that will not produce a Parliament capable of endorsing a realistic reform agenda for Greece.
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As happy a man as any in the world, for the whole world seems to smile upon me!
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The big issue with rock stars becoming actors is that sometimes it's not believable, and vice versa with actors becoming rock stars. Sometimes just doesn't fit.
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I would say the larger the pool you have to select from, the more likely you are to find the most compatible person for you if you have the right algorithms working on your behalf.
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I have been extremely lucky with reviewers and critics throughout my career.
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Vain hopes are like certain dreams of those who wake.
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I just always wanted to be left alone to go into a creative space.
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If it wasn't for golf, I'd probably still be peddling jewelry or be in the sugar mills somewhere.
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My whole career has been trying to please people in basketball. Now it's time to please myself.
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It's actually pretty complex, because there's two levels of reality in the narrative. One is what really took place, and the other is Spider's poisoned version of what took place.
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Art cannot result from sophisticated, frivolous, or superficial effects.
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Actually, the camera was never overhead at any time. It was always a side view of me. Subsequently, after the picture was released, I saw some scenes from above and my clothes being pulled-and I think that was added later.
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Coming from TV and film, rule number one is that you always service the main character first and foremost. If that's not working, you've got nothing.
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Acting can be a narrow and isolated experience, because you only examine your particular part.
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The same sort of thing happened in my dispute with the National Trust book: Follies: A National Trust Guide, which implied that the only pleasure you can get from Folly architecture is by calling the architect mad, and by laughing at the architecture.
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Religion must completely encircle the spirit of ethical man like his element, and this luminous chaos of divine thoughts and feelings is called enthusiasm.
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The gay community is very fickle. And I know because I'm part of it and I see it every day.
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Conceptually, I am open to mistakes - errors, actually. I do play lots of wrong notes while I am making some music, and a mistake or a wrong note is like a gift for me: 'Oh, wow, an unknown sound or an unknown harmony. I didn't know about this.'
