Ben Lerner Quotes
There were the usual exhortations to purity – think of the novel not as your opportunity to get rich or famous but to wrestle, in your own way, with the titans of the form – exhortations poets don’t have to make, given the economic marginality of the art, an economic marginality that soon all literature will share.
Quotes to Explore
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Some people ask, 'How do you attract the young and so many different people when your poetry is complicated and different?' I say, 'My accomplishment is that my readers trust me and accept my suggestions for change.'
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I don't think at Pixar we'd ever make something that was too scary for general audiences.
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I want some colleague to be free to come help me when I say the time has come. That's what I'm fighting for, me. Now that sounds selfish. And if it helps somebody else, so be it.
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A lot of people who want to cook with less fat are surprised by that. You can cook vegetables in a little water in a covered pan and then throw the fat into the residual liquid to coat them.
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Spending money is much more difficult than making money.
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I always fall in love with qualities of people I work with.
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Experimental science is fascinating, but I don't want to do it. I want other people to do it, and I'll read about it.
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Facts are, directors are not thinking of me; they think I only act in my films, because they're stupid. Or they think I'm a control freak, that I will try to, I don't know, pimp their scripts and just change everything, which I will never do.
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I've worked so hard for so long, and everyone's reaction has made me feel like... almost like they trust me, which is just a wonderful feeling. It pushes me to write things better and better.
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Everyone should change; otherwise, you can't grow as a person in life.
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I will come up with a project that will wipe out poverty in the Philippines in two years. I want to remove the people from economic crisis by using the Marcos wealth. Long after I'm gone, people will remember me for building them homes and roads and hospitals and giving them food.
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Public appearances are a headache. I hold mine down to a minimum.
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Films, fiction, can encompass a whole global vision on a particular subject with any story, whatever it is. You can play the story in whatever country with whatever language in whatever style you want to tell the story in.
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If I was sad or afraid, I would sit in a corner and sing. If I was happy I would jump into the middle of the room and sing. It was how I expressed my emotions.
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To be here recovers from a state of soul, from a state of mind. I have the memory of the heart. I know what I received. I must have the will to give back to others.
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We worked lightly even in the heaviest parts.
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When playing music, it is possible to achieve a unique sense of peace.
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Generally, if I read something that I think is really good and that I feel a connection with and is right for me, I see and hear who the guy is, as manifested by me.
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I do not believe that any writer has ever exposed this bovarysme, the human will to see things as they are not, more clearly than Shakespeare.
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Why are there no names for the abscence of things? Why is there no name for the abscence of humanity?
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What's become a big theme in my music is my dad as a narrative character. I never had the opportunity to understand our relationship in a more adult capacity. The unknown is great material for any creative outlet.
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Today, our economy is divided: fifty percent is the public economy and fifty percent is the private economy that includes small companies employing from 4 to 200 workers.
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Publicly, I've never talked about Argentina.
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There were the usual exhortations to purity – think of the novel not as your opportunity to get rich or famous but to wrestle, in your own way, with the titans of the form – exhortations poets don’t have to make, given the economic marginality of the art, an economic marginality that soon all literature will share.
