Rhona Mitra Quotes
Quotes to Explore
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It's the coolest part about writing music. I don't know how other people work, but so much is derived from some amalgamation of all these different songs that I love. That's why they jump all over the place.
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There might be a proper age to know how to tell a story, but there's no proper age to start telling them.
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When we fall in love, we feel that this person is ours and we are theirs by our mutual volition, and we know they could leave - we know that because they are free, and their freedom is part of the thrill.
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I went to L'Academie de Cuisine in Gaithersburg, Maryland, and I think French cooking is the basis for a lot of classical cuisine, a foundation of a lot of other cuisines. That said, it's not the only way to approach a cooking career.
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But it is also clear that left entirely untouched by public policy, the capitalist system will produce more inequality than is socially healthy or than is necessary for maximum efficiency.
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There should not be a question of legal or illegal immigration. People came and immigrated to this country from the time of the Indians. No ones illegal. They should just be able to come.
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Isn't she lovely made from love?
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I think it's great if a guy has a good sized package.
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I'm a great believer in particularly being alert to changes that change something, anything, by an order of magnitude, and nothing operates with the factors of 10 as profoundly as the Internet.
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I don't really rate press conferences. It's not as though I leave the room fist-pumping my way down the corridor after a good one.
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Rap music's been around for too long now to be inspirational. The words are, but the music isn't.
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Essentially, the popular musician in America must learn that his basic job is to entertain people, to make them forget their sorrows for a moment or two; in the same sense that any popular art form must aim at the same distraction value. Any such job as that is basically a young man's business. It takes a young man's energy to go traveling around the country, night after night in a different place, prancing and cavorting around in front of mobs of people all out to try to forget their problems for an evening. And for a young man it can be a good enough way of life, if he happens to like it.
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Filling all the way to the brim is not as good as halting in time.
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I was only interested in my scene, and I had to go through thousands and thousands of other scenes. I got my scene and I read it many, many, many, many, many times. That was my research.
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The hardest scene for me is always the scene when I'm dealing with performances, when I'm actually looking at the guys and hoping that I'm covering it in the right way and that I'm handling it in the right way.
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The animators bring their own spontaneity to it as well, because when they do a take of a shot it really is like just one continuous activity for them. They launch into it and do it, and they're not even quite sure how it's going to turn out when they're doing it. They're sort-of sculpting their way through a scene and trying to make this inanimate object alive.
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The most expensive hobby a rich man could have is a boat, and the second most expensive hobby he could have is a very old house.
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I was always really into the music rather than the scene.
