Arthur Plotnik Quotes
You write to communicate to the hearts and minds of others what's burning inside you.
Quotes to Explore
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Inside every Sancho Panza there's a Don Quixote struggling to get out.
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I like to have interesting things to write about. And when one says something is 'interesting,' one almost always means 'bad.'
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I don't write the books. God writes the books and delivers the speeches.
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Every story I create, creates me. I write to create myself.
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Before I liked to write, I liked to type. I remember visiting my grandmother Adele in Ponce Inlet, Florida, when I was three years old, and she had an IBM electric typewriter.
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I write romance because I love to read romance.
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I really don't have anything urgent to say, and I think you shouldn't write unless you have something urgent to say. Sometimes that troubles me, and sometimes I don't really care.
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I just write mechanical things.
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My grandmother died in childbirth, and my great-aunt lived with us. She had bound feet. She never knew how to read or write.
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There really isn't a story that you can't tell inside of it. It's very much a clearinghouse for anything that goes on in the world. So you're not at all limited.
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I have a birthmark on the inside of my left knee that resembles an upside-down sea horse.
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I think I would like to write screenplays, books, really anything.
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People often write after they finish their career, or they don't play anymore, or they are not anymore active. So I say, why do that? And let's do it differently.
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If you can write it, I can be it.
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'The One-Eyed Man' is a novel that was one I never intended to write.
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I do, however, think it would be difficult to write books I don't like to read.
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To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that is very difficult and I admire the people that can do it.
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I write in the studio.
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I know one thing - very few writers in Southern California get to write what they want to write. We are more or less worker ants, working for either film companies or tv companies or Internet companies. We do a lot of assigned work. Feelings hardly ever enter into it. If they do, they tend to be on a sort of soap opera level.
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Our feature film, 'Crouching Tiger, Hidden Dragon Two,' has a built-in fan base from the original film.
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When he wakes sometimes from dark dreams of broken cradles, and compasses without bearings, he pushes the unease down, lets the daylight contradict it. And isolation lulls him with the music of the lie.
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Tony Abbott's books are so amazing!
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I am never so calm as after I have written. And the next morning I will feel the familiar anxiety and I will have to begin the process all over again.
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You write to communicate to the hearts and minds of others what's burning inside you.
