Ricardo Salinas Pliego Quotes
Quotes to Explore
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Containment, as everyone will recall, was a rough plan for stopping the Communists any time they crossed a certain line dividing our half of the world from theirs.
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Here in France, I've seen some very good young designers, but they don't have this ability to be good businessmen, too. I think America gives you this.
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I truly loved Jason Reitman. I was there on his first film, 'Thank You For Smoking,' and I'd go work with him to do anything.
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Six years, I didn't act. Then I wrote myself a role - I won prizes all over the world.
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My motto is that the audience should notice the actors, not the clothes.
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I think every professor and writer is in some way an exhibitionist because his or her normal activity is a theatrical one. When you give a lesson the situation is the same as writing a book. You have to capture the attention, the complicity of your audience.
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Science fiction has its own history, its own legacy of what's been done, what's been superseded, what's so much part of the furniture it's practically part of the fabric now, what's become no more than a joke... and so on. It's just plain foolish, as well as comically arrogant, to ignore all this, to fail to do the most basic research.
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I set the goal of getting a book contract by age thirty.
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I play sad bastard music. For the money.
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I've been approached after shows from people who said, 'I don't agree with anything you said, but I laughed the whole way through.' That's still a little strange to me. Like, nothing, really? But at the same time, that's what happens in a conversation.
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Never must the existence or the essence of man as a whole be made a stake in the hazards of action.
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People come up to me and tell me how I changed their life and I've inspired them. And they tell me their stories, and that keeps me going.
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The invariable mark of wisdom is to see the miraculous in the common.
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Hold fast to the Bible. To the influence of this Book we are indebted for all the progress made in true civilization and to this we must look as our guide in the future.
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I've been writing since I was about thirteen but didn't start a book until 2007. I spent four years writing a sci-fi novel before I wrote 'The Bone Season' at nineteen.
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If trees can create art, if they can encircle the globe seven times in one year, if prisoners can grow plants and raise frogs, then perhaps there are other static entities that we hold inside ourselves, like grief, like addictions, like racism, that can also change.
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There are those that even God exploits, and they are prophets and saints in the vacuousness of the world.
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I've always moved by my heart. I've moved by the spirit of what I feel was right for me next. I always pray and ask God: 'What's the next thing? What am I supposed to do next?'
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I think there's such a fine line in a relationship. The role of imagination and privacy... how much space can you allow before that becomes distance? And similarly, imagination is empathy. That's how you achieve empathy. It's how you can be with another person and understand how they are in the world.
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I am totally anti-technology.
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I'm so happy with my family, my career and my friends, and I'd like for them to be here forever, so I guess loss is what scares me the most.
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At no other time has Nature concentrated such a wealth of valuable nourishment into such a small space as in the cocoa bean.
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I come from a dysfunctional family, so my views of parents and parenting used to be highly mixed.
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I'm devoted to my family and my businesses.
