Ricardo Semler Quotes
If you look at any kind of modern organization and you think, 'What are the foremost tools of power?' You will find that it is information.

Quotes to Explore
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Comedians take a neat situation and turn it into a mess. And in my books I do the same thing, but it's the other way around. I like to mess around with mess. A mess is only a mess because someone tells you it is.
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I have to be realistic about what I can and can't do. So whatever I do has to really be worth it. I like to master the things I do.
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I constantly write about my safety walking to and from school, and then I would come home at night, and I would cut on the TV, and I would watch a show like 'The Wonder Years,' or I would watch, you know, some other show like 'Family Ties.'
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I'm not one icon. I'm every icon. I'm an icon that is made out of all the colors on the palette at every time. I have no restrictions. No restrictions.
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Youth is really in your attitude, not in what you look like.
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I was born in Columbia in 1954, the year the Supreme Court invalidated racial segregation in public schools. I visited frequently but did not live there.
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If you like to bake with eggs, you can substitute Ener-G egg replacer, bananas, tofu, or many other ingredients. You get the hang of it quickly enough.
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It's a big mistake to think that your own cause, or your own country, or your own side has God in its corner. For one thing, it commits the sin of pride.
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I'd rather lose my own money than someone else's.
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Just making a good movie is hard to do.
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We recognised from the start that we couldn't just stay in the U.K. and Ireland markets. We have always looked to the products of the future. I've always said, 'If you don't innovate, you'll evaporate.'
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My parents are both massive feminists and always led me to believe that I could dream big and do anything that I wanted in my life, almost to a delusional degree.
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I beg. I call. I badger. I cajole. Part of the secret is everyone has fun and that's really motivating.
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No matter how successful you get in Hollywood, you cannot rest. Your new movie doesn't open well; they're looking for the next person to replace you; it's always something. You never have true peace.
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I'm not naive enough to pretend that on its own cinema can capture the very soul of significant social and cultural problems.
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So I used formal techniques to make the film more perceptive emotionally.
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There are no limits to what I would do to make my classes exciting, interesting, unpredictable.
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The prosecution has to go with the evidence and the facts and tell the story as it happened. The defense has more creative freedom. All you have to do is look for a defense that works. But it doesn't have to be the truth. Sometimes you get lucky and it is, but sometimes you don't, and either way, it doesn't matter.
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[Diversity] is the future. You can't stop it. It's going where it's going, so I choose to be with the future.
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The world is so full of simpletons and madmen, that one need not seek them in a madhouse.
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He thought about the story his daughter was living and the role she was playing inside that story. He realized he hadn't provided a better role for his daughter. He hadn't mapped out a story for his family. And so his daughter had chosen another story, a story in which she was wanted, even if she was only being used. In the absence of a family story, she'd chosen a story in which there was risk and adventure, rebellion and independence.
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Imagination is a sort of faint perception.
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Be tenacious. One thing that has allowed me to have some level of success is that I am fine with cold-calling people. It doesn't scare me to call someone who has no idea who I am and say I'd love to take you to lunch.
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If you look at any kind of modern organization and you think, 'What are the foremost tools of power?' You will find that it is information.