Carl Sagan Quotes
Quotes to Explore
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Wes Anderson deserves an award for sheer persistence of vision.
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I think in this, definitely, because you are feeling how it felt to live in a completely different time. The mannerisms and the way that people behaved was quite different.
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The whole gun debate needs to be infused with a discussion about manhood. It's frustrating to hear debates about gun rights vs. gun control, and yet very few people say what's hidden in plain sight: It's really a contest of meanings about manhood.
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Growing up, all I did was work and vacation, but I loved it, no one pushed me into anything. The thing was I developed no special skills. I don't have any resentment because I am a performer and I've always felt that, but it did take its toll socially.
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When I was 13, I started working in a nightclub with Ray Charles. That's the greatest school in the world, the school of the streets. Ray taught me how to read in Braille. He was only two years older than me, but it was like he was 100 years older.
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Poverty is an anomaly to rich people; it is very difficult to make out why people who want dinner do not ring the bell.
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I understood early on that the freedom of America is what made our way of life possible and that we should help other people live in freedom, too.
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It's always good to be known. You want to build your brand up, want to build your name.
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I don't have a competitive bone in my body, so the last thing I want to do is be competing with people.
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I wish at times I had finished school just to say I had.
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I was with the CIA for only three years. I worked in the Directorate of Operations, which is now called the National Clandestine Service. It's the part of the organization where the spies live. I didn't have much experience beyond the training.
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There is a kind of misconception that Asian-Americans are not as American as European-Americans.
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I don't want to be idealized by a patient because of what I've written.
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I don't want to be liked. I want to be respected.
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I was watching the Danish version of 'The Killing' when I got the audition for 'The Fall,' and I loved it; it was so original. I approached 'The Fall' with that in mind. I'd no problem with the violence - it was very clear from the script how horrifying the crimes were and that had to be shown, without going to extremes.
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I never put out a history, I put out a dramatic history.
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As for the Canadians - good actors and good directors are sometimes taken by the American market, you know, if they're good enough.
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A lot of people, especially Christians, want to put you in this box of being a Christian actor, and I don't believe in it. You do yourself and everyone else a big disservice when you start thinking about it as 'Christian art.' That's why most Christian art is bad. They don't put a premium on the 'art.'
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I went to the top of Vesuvius and looked in.
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When Elvis made his mass-media debut on 'The Ed Sullivan Show' - his notorious gyrations filmed only from the waist up - I fell off the family chaise longue with delight.
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I have not the least doubt that school developed in me nothing but what was evil and left the good untouched.
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It made me sick - my name's Keith Richards. It hardly makes it against Howlin' Wolf or Muddy Waters, does it? On my first guitar I had Boy Blue written - just pathetic. But that was as good as I got at the time.
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Science is a way of thinking much more than it is a body of knowledge.
