Aryn Kyle Quotes
Quotes to Explore
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Men who do not make advances to women are apt to become victims to women who make advances to them.
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I hate the analyzing thing. People say, 'Why do you think your character did that? I don't know. I'm not an analyst, and they're not in psychotherapy. Unless it's a film where they're in therapy.
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The witty woman is a tragic figure in American life. Wit destroys eroticism and eroticism destroys wit, so women must choose between taking lovers and taking no prisoners.
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Faithless is he that says farewell when the road darkens.
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Have friends. 'Tis a second existence.
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You know what, I'm a big coward and I'm really afraid of live audiences.
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As long as I was well fed, I was a very, very nice child. I just used my imagination and played with Barbies. I was pretty easy.
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I said 'It can't go on' and he said 'No, it can't.' Honestly, I don't think I could have mattered less to him by then. But by then, nothing mattered to him.
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Middle-aged women on telly is a bit of a hot topic - before, we were 27 to 37, and now we're 40 to 50. You do notice as you get older... you go past 35, and suddenly you're playing baddies.
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My dad was always busy. You would pop round for a cup of tea, and within minutes you would see him walking past with a step-ladder. He was always fixing things.
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When you don't get what you want, it just makes you accept real life.
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Rocket science is tough, and rockets have a way of failing.
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The kind of person who's going to stand on the red carpet and love the attention and have the big grin - I'm just not like that. I want to get in there, do what I've got to do, and get home to my kids.
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Virtue is reason which has become energy.
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You don't write because you want to say something, you write because you have something to say.
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Beauty is first and foremost an emotion.
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I'm not a tough boss in that I don't raise my voice, I don't freak out, and I don't have a temper most of the time.
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How did George Bensen cut 'In Your Eyes?' How did I work with the Backstreet Boys? It all comes back to 'Sometimes When We Touch.'
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They make you and you have no say in it. It’s w:Godot all the time. A chain around your neck and the whip cracking behind you.
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They're such hierarchical things, film sets, they're sort of mini societies. Often they're incredibly political places.
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Always listen for what you can leave out.
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Chicago has quickly become one of my favorite places in the world.
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For seven years I did very little theatre, and I have to make up some time.
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But the places we come from don't leave us as easily as we leave them.
