Eddie Redmayne Quotes
They're such hierarchical things, film sets, they're sort of mini societies. Often they're incredibly political places.
Quotes to Explore
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I said it several times: a blow you are getting from a friend is still a blow, but more painful.
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It is important to expect nothing, to take every experience, including the negative ones, as merely steps on the path, and to proceed.
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I think I began to like writing a lot more, and to be a better writer, when I did it for a while alone. It made me a little more confident about my style.
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It's a tough transition really for theater actors to adjust to television or film, and all of these years later, I still have a tendency to play it too big.
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The most intense conflicts, if overcome, leave behind a sense of security and calm that is not easily disturbed. It is just these intense conflicts and their conflagration which are needed to produce valuable and lasting results.
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If I were to work with my mom, I probably would not want her to play my mom. That would get too real.
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Trees and plants always look like the people they live with, somehow.
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A bad hair day for me is when it gets flat and greasy.
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I get the feeling that people from outside the world of contemporary art see it as deserving of mockery, in an emperor's-new-clothes sort of way. I think that's not right and that it's just because they don't understand the discourse.
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Some people remaster their records six, seven times, remix it three, four times, spend a million hours, then they always go back and hear a demo of it and they'll say, 'Aw that sounds so much better than the final mix.'
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When I was a kid, I read many of my mom's books. Sometimes, there were mysteries, but there were no delineations, and my mother never talked about book genres. Nor did we differentiate genres in school.
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I see so many activists... who are artists because they feel that they have the power of communication.
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Middle-aged women on telly is a bit of a hot topic - before, we were 27 to 37, and now we're 40 to 50. You do notice as you get older... you go past 35, and suddenly you're playing baddies.
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Fortunately, I don't spend too much time reading or worrying about what people have to say, but the goal for me throughout this whole process - throughout my whole life - is to try to be happy.
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The weather was turning cold and I remember that Dante was using nothing but natural light as his electric department was away, prepping the scene in the cave. We stayed on that rock for the whole day.
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I completely agree with feeling the need for or the benefits of being pushed and of being directed on a project and collaborating.
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I've done all these historical epics and chivalrous roles, but there's an odder, quirkier side to me that nobody knows about.
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Even great actors shine brighter in the right atmosphere.
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Knowing when to leave may be the smartest thing anyone can learn.
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The first thing I would do would be to move forward with an agenda to make sure that we give D.C. the opportunity to elect its own representatives and have some political power on Capitol Hill.
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No matter how many awards you've won or how many sales you've got, come the next book it's still a blank sheet of paper and you're still panicking like hell that you've got nothing new to say.
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That's so ridiculous. Go up the chain and find out where on earth they got that policy. They could be costing people a lot of money.
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I believe in kindness and niceness and lots of spiritual things, but the real intellectual rigor and quest of logic is something that I'm afraid takes incredibly hard work and we live in an age in which hard work is if not actively deprecated or denigrated it is run away from or ignored.
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They're such hierarchical things, film sets, they're sort of mini societies. Often they're incredibly political places.
