Richard Pryor Quotes
I can't just say the words, do a lot of one-liners. I love each person I play; I have to be that person. I have to do him true.
Quotes to Explore
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My dream part would be to play Mitt Romney's sarcastic black maid. We could call it 'Mammy & Me.'
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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Sometimes I rush my swing because I am so anxious to play well. In Cuba, the quality of the pitching is not the same as it is here. There you might find one or two pitchers at 94 or 95 mph. Here, every day I find several, and each pitcher who comes along throws his hardest stuff.
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The debt we owe to the play of imagination is incalculable.
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I once literally had a casting director ask my agent, 'Can she play anything other than a drunk?'
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When I was a lad in my 20s, as carefree and debonair as any other underpaid newspaperman, I happened to be a golfer who could flirt with par fairly often, and I was adventurous enough in those days to play any known or unknown thief who showed up at Goat Hills for whatever amount he fancied.
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My drummer, bass player, and guitar player sing backgrounds. They play and sing. I can sing all the harmonies, but I can't do it alone.
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You feel this pressure that people will take you more seriously if you play guitar, but I've decided I'm a singer and that's enough.
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The villains that I play, I always think that they are grounded, wonderful people with enormous intellects who are very exciting to spend an evening with. I never see them as bad people.
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I wanted no part of losing. Why play if you can't beat the other guys more often than they beat you?
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I am lucky that the Western world chooses me to play roles in their movies an television, whatever language it may be.
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Experience without theory is blind, but theory without experience is mere intellectual play.
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Everybody has a role or part to play; if somebody fits the bill, that is what matters.
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My first play was 'The Room', written when I was twenty-seven.
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I play the keyboard, piano - I like making beats.
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My first part in a play was one of the witches in 'Macbeth.'
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I play a Fender Jazzmaster and three stacks and a combo, two old Marshall Plexis and a Hiwatt combo and a Hiwatt combo with Marshall cabs.
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A soulmate is someone whom, when you meet, without thinking - without letting your neocortex play into the decision - you feel an instant familiarity, a sense of connection, a longing.
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I like plays where people talk a lot. Conversation is sustained. Argument is sustained.
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When I work, I live in a fantasy world. It's great. I get to play different characters who inspire me.
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Society doesn't like to deal with death, but it is a natural part of living.
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Well, if it's a symbol, to hell with it.
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I can't just say the words, do a lot of one-liners. I love each person I play; I have to be that person. I have to do him true.
