Azim Khamisa Quotes
Quotes to Explore
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Hip-hop definitely taught me a lot. Having to create your own identity and become known and respected in a male-dominated field - it requires some guts. There are times you have to be strong, and times when you have to stand alone for what you believe in.
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Now, performing is second nature and I love every second of it. It is a very emotional thing when I can't play a song; maybe I'm hitting on something that I don't want to deal with. All of it is so personal. It is like therapy.
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I went through a lot of phases and studied many religions. I am not into religion, I am spiritual.
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The professed function of the nuclear weapons on each side is to prevent the other side from using their nuclear weapons. If that's all it is, then we've gotta as: how many nuclear weapons do you need to do that?
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Truth is not a matter of personal viewpoint.
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If anybody's getting a shot, somebody's getting a shot against me because I'm the guy to beat.
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You're a hundred percent correct about our show being tops in quality.
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People say that I could sing the phone book and make it sound good.
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I always try to preserve my cinematographic style, even while I work in the US. I wish to always be European.
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Even the good she found in him was really the goodness she had put in him, the goodness he had put on himself as a disguise in order to get her to marry him.
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The place was part museum, part library, and part archive; I loved it at first sight...and smell, for here there were thousands of printed books, many very old indeed, and nothing smells quite as wonderful as old books.
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Alan Alda is loved not because he's sensitive, but because he's successful and sensitive.
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The race question is subsidiary to the class question in politics, and to think of imperialism in terms of race is disastrous. But to neglect the racial factor as merely incidental is an error only less grave than to make it fundamental.
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I need to make sure that I'm taking roles that I feel like I can communicate through.
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I don't know if I'd ever sing a whole album because I don't know if I'd want to hear my voice for more than three or four songs.
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When I left high school, my dad was directing a film, and I went to work for him as a P.A. There were two wonderful editors, Bud Isaacs and Bernie Balmuth, working on the project, and every chance I had, I would go to the editing room to watch and learn from them.
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One of the great things about working for Netflix is that they haven't placed any restrictions on content or artistically.
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I think the true test of a pop song, for me, and I've talked to a lot of other writers about this, is you take your demo, you pop it in your car and you drive down Sunset Blvd. to Santa Monica, and that's the Hollywood car test.
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As well as being a creative genius, Vidal Sassoon was a formative figure of the Sixties. Along with the Pill and the mini-skirt, his influence was truly liberating.
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When I make albums, I do a lot of songwriting but not necessarily a whole album.
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No one doubts but that we imagine time from the very fact that we imagine other bodies to be moved slower or faster or equally fast. We are accustomed to determine duration by the aid of some measure of motion.
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It is no coincidence that while some major female artists have married, very few have borne children. The issue is not conservation of energy but imaginative integrity. Art is its own self-swelling, proof that the mind is greater than the body.
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What would Integrity have me do?
