Camille Henrot Quotes
Quotes to Explore
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It's hard to always be on top. You go down, you go up.
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I'm optimistic about people and about the planet and about nature. I think it's resilient, like people are.
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I don't regret doing any of my films. All of them have been great learning experiences, and they have contributed to making me what I am today.
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The artistic part of us all - I think that the easiest way to appreciate this - is through architecture. Architecture is very impressive; the beauty of buildings, temples.
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There are times in my life when I just want to be by myself.
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The genius of a good leader is to leave behind him a situation which common sense, without the grace of genius, can deal with successfully.
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I never got into politics for it to be a career. It doesn't take a lot of strength to hang on. It takes a lot of strength to let go.
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I was in high school. A couple of my friends and I decided we had to be in a class together where we could fool around, and drama was it because we'd do improvs, beating each other up. They left a year later, and I stayed in and got a knack for it, and enjoyed the whole process.
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Morrissey wrote a really gorgeous song for me. I'm crazy for that man. And he thinks I'm hip!
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It's huge in the U.K., if someone's doing well, to put them down. That's what we do all the time. It's kind of like a cultural thing.
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As women, we must speak out, speak up, say no to our inheritance of loss and yes to a future of women-led dialogue about women's rights and value.
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In metros, girls are very independent, conscious and aware. But in the interiors of our country, where education is not given importance, they continue to be oppressed. But it is important for every woman to acknowledge what she wants from herself rather than going for what people expect from her.
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The most important thing to realise is that everyone is capable of telling a story. It doesn't matter where we were born or how we grew up.
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I have always been interested in design, but in the beginning I didn't set out to make jewelry specifically.
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I make the music my ears want to hear, I wear the clothes my body wants to wear and the ones boys call me back for, and I generally make the songs that my feet dance to.
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I had studied Irish history. I had read speeches from the dock. I had tried to fuse the vivid past of my nation with the lost spaces of my childhood. I had learned the battles, the ballads, the defeats. It never occurred to me that eventually the power and insistence of a national tradition would offer me only a new way of not belonging.
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I can't live without activity; I can't be sedentary.
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The United Nations Children's Fund reports that more than 18 million children worldwide have lost both parents to the ravages of AIDS, starvation, war or natural disasters.
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As supportive as my hometown is, in my high school, there are people who would probably walk up to me and punch me in the face. There's a select few that will never like me. They don't like what I stand for. They don't like somebody who stands for being sober, who stands for anything happy. They're going to be negative no matter what.
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I've been very fortunate in my life.
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Beauty has so many forms, and I think the most beautiful thing is confidence and loving yourself.
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Kids today look at me like I'm Neil Young.
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You don't have to have a great art idea - just get to work and something will happen. So that's pretty much my modus operandi and pretty much my principal position, such as it is.
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Daily life is both the subject and environment of the work I am making.
