Camille Henrot Quotes
Quotes to Explore
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It's hard to always be on top. You go down, you go up.
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I'm optimistic about people and about the planet and about nature. I think it's resilient, like people are.
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I don't regret doing any of my films. All of them have been great learning experiences, and they have contributed to making me what I am today.
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The artistic part of us all - I think that the easiest way to appreciate this - is through architecture. Architecture is very impressive; the beauty of buildings, temples.
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There are times in my life when I just want to be by myself.
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I never got into politics for it to be a career. It doesn't take a lot of strength to hang on. It takes a lot of strength to let go.
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I was in high school. A couple of my friends and I decided we had to be in a class together where we could fool around, and drama was it because we'd do improvs, beating each other up. They left a year later, and I stayed in and got a knack for it, and enjoyed the whole process.
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Morrissey wrote a really gorgeous song for me. I'm crazy for that man. And he thinks I'm hip!
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The most important thing to realise is that everyone is capable of telling a story. It doesn't matter where we were born or how we grew up.
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I have always been interested in design, but in the beginning I didn't set out to make jewelry specifically.
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I make the music my ears want to hear, I wear the clothes my body wants to wear and the ones boys call me back for, and I generally make the songs that my feet dance to.
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I had studied Irish history. I had read speeches from the dock. I had tried to fuse the vivid past of my nation with the lost spaces of my childhood. I had learned the battles, the ballads, the defeats. It never occurred to me that eventually the power and insistence of a national tradition would offer me only a new way of not belonging.
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I can't live without activity; I can't be sedentary.
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The United Nations Children's Fund reports that more than 18 million children worldwide have lost both parents to the ravages of AIDS, starvation, war or natural disasters.
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As supportive as my hometown is, in my high school, there are people who would probably walk up to me and punch me in the face. There's a select few that will never like me. They don't like what I stand for. They don't like somebody who stands for being sober, who stands for anything happy. They're going to be negative no matter what.
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Out of the Slow Food movement has grown something called the Slow Cities movement, which has started in Italy but has spread right across Europe and beyond. And in this, towns begin to rethink how they organize the urban landscape so that people are encouraged to slow down and smell the roses and connect with one another.
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I was lucky enough to be fairly quick at understanding what was taught, but unlucky enough not to be really interested in it, so I always got my exams but never had the scholar's love of learning for its own sake.
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The best world is one in which all countries cooperate with one another to kind of meet each other's needs and be partners in the process.
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You have to have confidence. You can't be someone who's so insecure that she's a basket case.
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Wimbledon is very special with the traditions and everything.
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In any creative field-any creative field-you must first understand that you have no value whatsoever. Your work has no value whatsoever. You are completely worthless. Whatever potential you have is just that-potential-and when you are discussing self-publishing a comic book, you have about the same chance of success as 10 thousand others. (p. 21)
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There was a moment, a few weeks after I signed, that it actually hit me. I was signed to a major label.
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Daily life is both the subject and environment of the work I am making.