Camille Henrot Quotes
Quotes to Explore
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It's hard to always be on top. You go down, you go up.
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I'm optimistic about people and about the planet and about nature. I think it's resilient, like people are.
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I don't regret doing any of my films. All of them have been great learning experiences, and they have contributed to making me what I am today.
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The artistic part of us all - I think that the easiest way to appreciate this - is through architecture. Architecture is very impressive; the beauty of buildings, temples.
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There are times in my life when I just want to be by myself.
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The genius of a good leader is to leave behind him a situation which common sense, without the grace of genius, can deal with successfully.
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I never got into politics for it to be a career. It doesn't take a lot of strength to hang on. It takes a lot of strength to let go.
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A lot of news is just entertainment masquerading as news.
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I was in high school. A couple of my friends and I decided we had to be in a class together where we could fool around, and drama was it because we'd do improvs, beating each other up. They left a year later, and I stayed in and got a knack for it, and enjoyed the whole process.
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Morrissey wrote a really gorgeous song for me. I'm crazy for that man. And he thinks I'm hip!
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It's huge in the U.K., if someone's doing well, to put them down. That's what we do all the time. It's kind of like a cultural thing.
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As women, we must speak out, speak up, say no to our inheritance of loss and yes to a future of women-led dialogue about women's rights and value.
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In metros, girls are very independent, conscious and aware. But in the interiors of our country, where education is not given importance, they continue to be oppressed. But it is important for every woman to acknowledge what she wants from herself rather than going for what people expect from her.
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The most important thing to realise is that everyone is capable of telling a story. It doesn't matter where we were born or how we grew up.
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I have always been interested in design, but in the beginning I didn't set out to make jewelry specifically.
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I make the music my ears want to hear, I wear the clothes my body wants to wear and the ones boys call me back for, and I generally make the songs that my feet dance to.
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I had studied Irish history. I had read speeches from the dock. I had tried to fuse the vivid past of my nation with the lost spaces of my childhood. I had learned the battles, the ballads, the defeats. It never occurred to me that eventually the power and insistence of a national tradition would offer me only a new way of not belonging.
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I can't live without activity; I can't be sedentary.
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My mom's parents were farmers, so every summer, my sisters and I would help out, hauling pipe and pulling maggots off the corn. We hated it, but it taught me the meaning of good hard work.
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I was always interested in ladies' fashion.
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Perhaps memory is a thing that everyone involved has to work at, like stitching up a big quilt out of everything that ever happened to you.
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The Open Access Movement has fought valiantly to ensure that scientists do not sign their copyrights away but instead ensure their work is published on the Internet, under terms that allow anyone to access it.
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I have a tendency to become very self-critical.
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Daily life is both the subject and environment of the work I am making.
