Richard Schickel Quotes
Quotes to Explore
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Maybe I should pretend like I'm not insecure, but I really am. This movie is going to come out and... will people like it? Will they like Rey?
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One minute, it seemed I had more movie offers than I could handle; the next – no one wanted me.
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When you work on a movie, especially an independent movie, it's a lot of work to make it! It's not just our job as actors - so many people are working so hard, and even the littlest movie takes a lot of work.
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In every movie I do have a dialogue.
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As a hip-hop artist who likes fashion, who can't help but notice people like Kanye West, Tiger, Big Sean and definitely T.I.P. These guys really understand how to be progressive and fashion forward.
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The journey of your first movie is not just beyond belief it can be truly beyond satire.
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I like the guys who wrote their own stuff and were able to perform it, like Seth Rogen. He popped off so young. When he did 'The 40-Year-Old Virgin,' and he was a co-producer on the movie, I was like, 'Oh my God: that's exactly what I want to do.'
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There's an audience out there for all these different types of things. Whether it's comedy, motion-picture drama, family movie or a cool, cutting-edge indie, it's nice to know that I can span all those different genres.
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I'm still learning a lot as a songwriter. I try to write down and make a note of ideas that I cross paths with on a day-to-day basis, whether it be a conversation or something I hear on the radio, seeing a movie, or just thoughts in my head as I'm walking down the street.
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Sidney Poitier and Sidney Lumet were instrumental in helping me get started as the first black composer to get name credit for movie scores.
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I have a nice little movie career, and I write plays and do my act.
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'The Replacements' is where I met Jon Favreau, and we just clicked like, you know, like kids at a camp. And he wrote my next movie, which was 'Made.'
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I have no regrets. I wanted to raise the kids and be a present father. When I developed a movie, I was gone for a year. That didn't really work for me. That isn't fair to make these life-forms and then disappear.
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In 2007, my life changed forever. I signed on 'Tashan,' a full-on glamorous masala movie, with two of the hottest and fittest actors around: Akshay Kumar and Saif Ali Khan. And me, rising out of the sea like a Bond girl, wearing nothing but a green bikini. I had nightmares of how my love handles would be on display for the whole world to see.
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I love French style from the Thirties and Forties. French movie stars like Jean Gabin and Yves Montand had so much natural, effortless style.
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Movie SF is, by definition, dumbed down - there have only been three or four SF movies in the history of film that aspire to the complexity of literary SF.
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I don't think you should categorize yourself as an artist.
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A lot of people in the movie business don't have a point of reference for me; nobody really knows who I am.
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If I'm going to act in someone's movie, I want the movie to be interesting and be able to get a couple of solid doubles.
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I kind of wanted to be a waitress in New York City. I thought it was fun and glamorous in its own way. Like in the movie 'Beaches,' when Bette Midler is banging on the radiator, and it's cold, and she's poor. I kind of thought that would be fun to be, like, a poor, struggling actor.
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Everything I've wanted to turn into a film becomes something new and different when it becomes a movie... Each time I work with an author, I say to them, 'A book and a movie are different things.'
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A movie shoots six months for two hours of film.
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A movie star is not an artist, he is an art object.
