Richard Thompson Quotes
Quotes to Explore
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I actually think I have an audience member's sensibility about going to the movies.
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When you are performing in theater, you feel so connected to your audience. It's exhilarating!
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I much prefer doing comedy. I get a little paranoid when the audience is not laughing.
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When you're still, and some actors are really brilliant at that, you bring a kind of energy to you as opposed to sending the energy out. There are some actors, like Gary Cooper or Kevin Spacey, that are absolutely brilliant - Gene Hackman is another - at being and allowing the audience to just do the work.
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Before 'Raman Raghav 2.0,' I played a criminal in 'Badlapur.' Though the character was innocent, he was not correctly interpreted by some sections of the audience.
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So many songs are just a wink to the audience, but people take them seriously. 'My Humps?' C'mon!
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In the old days, you had an audience of about 400, half of whom were committee members from somewhere or other sitting in their suits. It's become a real sports event with sports fans now.
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I don't have a director. The audience directs me.
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I'm just very pleased and thankful that there was a receptive audience of people that I was able to connect with.
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Trying to guess what the (mass) audience wants and then trying to satisfy that is usually a bad recipe for getting something good.
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I still get recognized. It's flattering, but it can be uncomfortable. Maybe because it only seems to happen when I'm looking and feeling crappy.
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I have this whole new audience now.
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I've always been really involved in figuring out who my audience is and how to reach them.
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Interestingly, it is often the younger members of the audience who ask the most sophisticated questions.
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My job playing Sam Malone was to let the audience in, to love my bar full of people. And that informed my life.
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You know, when I put out records that may not work or connect with the audience, it's because I'm pushing myself as an artist creatively, because I'm just bored doing what everyone wants me to do.
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A horse is dangerous at both ends and uncomfortable in the middle.
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Writers since at least the heyday of Gore Vidal have bemoaned their audience's defection to other forms of entertainment.
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When I wrote my stories in elementary school, I signed them all 'Karen E. Bender' with the squiggly 'E.' I wanted, from an early age, to be a writer, and that name - that E - was a way of pretending I knew how to do it.
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I come from a stupid family. My father worked in a bank. They caught him stealing pens.
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Those who have been too long at their labor, who have drunk too long at the cup of voluptuousness, who feel they have become temporarily inhumane, who are tormented by their families, who find life sad and love ephemeral......they should all eat chocolate and they will be comforted.
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If I were reincarnated, I'd want to come back a buzzard. Nothing hates him or envies him or wants him or needs him. He is never bothered or in danger, and he can eat anything.
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A life of mere pleasure! A little while, in the spring-time of the senses, in the sunshine of prosperity, in the jubilee of health, it may seem well enough. But how insufficient, how mean, how terrible when age comes, and sorrow, and death! A life of pleasure! What does it look like when these great changes beat against it--when the realities of eternity stream in? It looks like the fragments of a feast, when the sun shines upon the withered garlands, and the tinsel, and the overturned tables, and the dead lees of wine.
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You want the audience to be uncomfortable.
