Olivia Colman Quotes
I feel fortunate that I'm not a beauty. I'm not a classic beauty. I feel it is harder for girls who are like that. There are fewer parts.
Quotes to Explore
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Working with Terry Gilliam was magic - I've been watching his films since I was little.
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I felt pressure to follow in Madonna's footsteps, and I didn't want to base my career on sex. So I began to change how I saw myself.
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I am happy with all the films I've done. I have not become the victim of an image. I have managed to do different roles, and I am proud of that.
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When I first put out music, people didn't know what I looked like. They called it a new type of something; they couldn't put a genre on it - it was where indie and urban kind of meet in the middle. I thought that was quite exciting.
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In 'Clockwork Orange,' you're there with your eyes, watching all those things, your brain goes off, ahh, exposes you to so many things, and at the end of the day, it's just like a roller coaster. Why do you jump in a roller coaster? You want a thrill.
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Nobody can teach what is inside a person; it has to be discovered for oneself and a way must be found to express it.
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He's an honest man - you could shoot craps with him over the telephone.
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You are what you can prove you've done. That's how people judge you.
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I just did a spread in 'Maxim', I'm 35 years old. I've had women and parents email me asking if I should really be doing that, since I'm still considered a role model.
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One thing I want to make clear, as far as my own rebirth is concerned, the final authority is myself and no one else, and obviously not China's Communists.
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The day you settle for less is the day you will get less.
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Stand-up will always be my first love, and it has been the primary way I've expressed myself since I was 17.
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As a child in the rural district of Penal I remember sharing meals from the same pot with neighbours of different racial, ethnic, social and economic backgrounds.
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The climate has been changing since there was a climate.
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I did every job under the sun from bartending to ushering to temping.
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I grew up on Marvel and, like, '2000 AD.'
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I can clearly trace my passion for reading back to the Jonesboro, Georgia, library, where for the first time in my life I had access to what seemed like an unlimited supply of books. This was where I discovered 'Encyclopedia Brown' and 'Nancy Drew,' 'Gone With the Wind' and 'Rebecca.' This was where I became inspired to be a writer.
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My voice, I have to say, is kind of miraculous because I was born with a cleft palate.
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As soon as I got out there I felt a strange relationship with the pitcher's mound. It was as if I'd been born out there. Pitching just felt like the most natural thing in the world. Striking out batters was easy.
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[S]ervants of darkness had no lasting joy in their service. In all of them the will for darkness was a perversion of the will for the light. In all but a few maniacs the satisfaction of the will for darkness was at all times countered by a revulsion which the unhappy spirit either dared not confess even to itself, or else rejected as cowardly and evil.
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My mother was born in Baltimore, and before her marriage, she was an artist and teacher of art.
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Rather than programming children as if they were computers, parents should be something like art instructors. Because life is like a clump-of-clay, you can’t make it into an expression of beauty, unless you take it into your hands. While sprinkling their lives with painful and playful diversions, people wait their lives miserably into old age, for the skills to live-life, to–come as did life- itself.
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I feel fortunate that I'm not a beauty. I'm not a classic beauty. I feel it is harder for girls who are like that. There are fewer parts.
