Quentin Tarantino Quotes

If there is something magic about the collaborations I have with actors it's because I put the character first.

Quotes to Explore
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There is no need to change my image. I like my image, and the audience likes it, too. I am very comfortable with the kind of roles I do, and as I am not doing the same character or playing myself. I explore my characters; I don't brood over my broody image.
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Character is what was yesterday and will be tomorrow.
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It's really interesting working in television as opposed to the theater, where you know the arc of the character and you are able to create this whole backstory.
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The key step for an infielder is the first one, to the left or right, but before the ball is hit.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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I'd like to do something where there's a strong female character and some action. I've done a few stunts in the past.
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I enjoy a character who sticks to her guns, who's always challenging herself. That's something I can relate to.
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I wrote my first novel when my daughter was about six months old.
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The first money I have been offered was as District Officer Ba.
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If I recall correctly, I think I signed my first contract with Tor in 1983.
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The first thing I do when I get up, I have breakfast.
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What drew me to the character is that Roberto Duran is the son of an American soldier - a Marine - stationed in Panama and a humble Panamanian mother, and he was abandoned.
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I've always considered myself a character actor.
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I went to see the film with a regular audience for the first time on Sunday, and was basically swamped.
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I take the walk to be the externalization of an interior seeking so that the analogy is first of all between the external and the internal.
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Zhvania was the general secretary of the organisation which I founded, the Citizens' Union. It was the biggest organisation and came first in all elections, and Zhvania was the leader.
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The advantage of love at first sight is that it delays a second sight.
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Get there first with the most.
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For me, the walk of the character is always the first part that I must define for myself.
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In order to finish first, you first have to finish.
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It's kind of exhilarating, walking through a crazy, insane mob. The most miraculous process is watching a song go from a tiny idea in the middle of the night to something that 55,000 people are singing back to you.
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I want to be so famous that I'm the pop-culture reference that people would make to try and be racist to me. So I'd be walking down the street, and someone would be, like, 'Hey, look at this Kumail Nanjiani.'
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Romeo Must Die came at the right time. It was the right vehicle for me.
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If there is something magic about the collaborations I have with actors it's because I put the character first.