Warren Littlefield Quotes
There's no reason that there has to be a fringe network that illuminates an urban or a multiethnic experience.
Quotes to Explore
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What we do for a living does not matter so much as how we do it. It is the spirit in which we do our work that counts, and that counts through all eternity.
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I don't miss acting at all.
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The whole world has American dreams. This country has people from all parts of the world. We have Irish who live here, we have Brazilians.
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I can work in films as long as the story doesn't have a realistic nature. If I'm working with an allegory, a fantasy, it can be developed in synthetic terms.
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The survival of artistic modes in which we recognize ourselves, identify ourselves and place ourselves will survive as long as humanity survives.
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That's always the trick with the sequels, is how much do you repeat from the first one. Because we all get bummed out when you go see a sequel and it's beat for beat.
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I've always dreamed of having an album. The problem is that it's just very difficult to make an album nowadays because through technology, music shifts so fast, especially electronic music. Once you make five songs, the first one you did is already old and you wished you would have put it out right away. So that's kind of the difficult part.
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When I got a million subscribers, it just sort of snowballed from there because a lot more people show interest. They're like, 'Who's this? They've got a million subscribers; maybe I'll like their channel.'
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From a very young age, I wanted to get up on stage whenever I went to the theatre - the actors just seemed to be having so much fun. One of my worries about theatre, in fact, is that the actors are quite often having more fun than the audience.
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They can sonically sound like me, but nobody's ever gonna be able to write songs like T-Pain. There's only one of those.
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To understand why dictators have a problem with making peace - or at least a genuine peace - the link between the nature of a regime and its external behavior must be understood.
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Time is the devourer of all things.
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Bullfights have so much color. Not just the matador but also the bull, the arena, and the public. It's all very festive.
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I'm really interested in playing my age.
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I was the kind of child who worked hard every day with the cows and sheep - I was a very aggressive boy.
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With 'The Simpsons,' people didn't know what they were gonna see. They didn't have a clue.
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No matter who the prime minister is, incremental changes take place. The economy moves on.
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The quality of a timeless song is that it's catchy, meaningful and relatable.
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People are going to bash you while you're alive, and they're going to bash you when you're gone.
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The world is supposed to be full of possibilities, but they narrow down to pretty few in most personal experience. There's lots of good fish in the sea ... maybe ... but the vast masses seem to be mackerel or herring, and if you're not mackerel or herring yourself you are likely to find very few good fish in the sea.
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It's amazing how much of a bodily experience being scared is. It doesn't take very long of hyperventilating to feel like you're going to pass out. It's one of those things where being scared is more of a physiological response that you can pretty easily manipulate. So in those types of scenes, it just takes a lot of energy.
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Ultimately, Leibniz argued, there are only two absolutely simple concepts, God and Nothingness. From these, all other concepts may be constructed, the world, and everything within it, arising from some primordial argument between the deity and nothing whatsoever. And then, by some inscrutable incandescent insight, Leibniz came to see that what is crucial in what he had written is the alternation between God and Nothingness. And for this, the numbers 0 and 1 suffice.
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There's no reason that there has to be a fringe network that illuminates an urban or a multiethnic experience.
