Carol Friedman Quotes
My days are kind of controlled by my projects, so sometimes they're album covers. Sometimes they're commission portrait shoots. Sometimes they are editorial, so it kind of - I don't dictate it.
Quotes to Explore
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All I came to Los Angeles with was a dream. No one from my family ever left Ohio.
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I want to do good stories, and I want to work with really interesting people. And if it's Noah Hawley forever, that's also amazing.
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People will tell you anything but what they do is always the truth.
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Journalists have sometimes looked to my Twitter account and quoted me from there, and that's fine because that's public domain. I know exactly what I'm doing when I post something on Twitter; in a way, it's saying, 'This is who I am, and I don't have anything to hide.'
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Heart of America is a movie I'm very proud of. The young actors are great and the story has impact.
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A source of conflict for women everywhere is the pull between reproduction and production. Women worldwide have difficulty in balancing their dual roles as caregivers and providers.
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My mobile phone battery runs out all the time because all the messages come straight to me.
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I used to be called Waddy Jones. But I changed my name to Ninja because it's more me.
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I profoundly feel that people are letting you down all the time.
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I like directors who have worked as actors. They know the experience.
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In August of 2011, Steve Jobs, the tech icon who disrupted a string of traditional industries, called me and told me he thought he'd figured out a way to revolutionize TV. He invited me to come see it at Apple in a few months, but he died just six weeks later, and that meeting never came to pass.
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Live stand-up is my thing. I love being on stage and just messing around.
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There is properly no history; only biography.
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Distance is temporary, but our love is permanent. This may be the last time I see you, but if you keep me in your heart, together we shall be eternal; if you believe, we shall never part.
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Supersonic airplanes have carried men at more than 2,000 miles per hour and there are reasons to believe that this speed will be doubled by 1960 or so.
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I learned from Ethel Waters, Duke Ellington, Adelaide Hall, the Nicholas Brothers, the whole thing, the whole schmear. [The Cotton Club] was a great place because it hired us, for one thing, at a time when it was really rough [for Black performers].
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I slipped and the ball got away from me with nothing on it. Maybe it's lucky it hit Lou, instead of going over the plate.
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I have always believed that women are not victims, we are agents of change, we are drivers of projects.
