Damon Albarn Quotes
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I enjoyed history at school. I'd always had a sense of pagan England.
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Being in Blur has allowed me to travel and hear the music that's being made all over the world.
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I want to be a better person in every aspect. I really don't feel I've in anyway fulfilled my potential in every area of my life. But I'm optimistic.
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I spent two years figuring out how I could turn it into something that would satisfy me as a musician but also make some kind of cross-cultural link. I feel that I kind of at least touched on the possibilities of cross-cultural music, but it is a lifetime's work, and I don't profess to be anything other than a novice at it.
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I hope we can keep doing it this way - making music and art that are pure products of our influences while not really having to let the whole celebrity side of it get in the way. Then maybe more virtual bands will come out and do the same thing.
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I can't be bothered anymore about giving songs titles.
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And there are no stars and that you're never really sure who's doing what and what voice is what and, you know what I mean? It's supposed to be quite elusive.
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No, every album is something like a snapshot. It only shows one moment in time. It shows what we feel and think right at that point in time, nothing more and nothing less.
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Music is something that should speak for itself, straight from the heart. It took me a long time to understand that.
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The whole period has taught me that I enjoy being part of an ensemble rather than just a front man. Don't get me wrong - I enjoy that too, but I get more enjoyment out of really listening to everyone.
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There's need to be some sort of disturbance in your psyche for creativity to be sparked.
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Trying to write music that's sensitive to 400 years ago takes a bit of madness, as it's such a long stretch of time.
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I was going through a break up. I was depressed... I really did need to do something. Recording an album was a great escape. I don't know what would have happened if I wouldn't have started to work.
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Oasis were like the bullies I had to put up with at school.
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Danger Mouse is now working on a bunch of other records, translating his ideas about remixing into all sorts of other projects.
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Every time I go to Africa, I see the future. I see what the Western world is going to become. It's a very futuristic place.
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There's always been a hip-hop element to my trousers.
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If punk was about getting rid of hippies, then I'm getting rid of grunge.
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A lot of Gorillaz songs were very personal. I mean, that's why it was interesting, because it wasn't music being made for a cartoon. It was something different. It was a much more emotional affair. I wasn't necessarily thinking in the third-person then.
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The whole Gorillaz concept is one for mavericks; it's a way for people who never have a chance to work together being able to ally behind the cartoons.
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I was naive enough to believe it would be enough to replace the government. Well, I made fun of the people in the government and then realized that even if we got rid of them, they were replaced by exactly the same guys.
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I'm an English songwriter/composer, working in Mandarin and trying to find something about Chinese culture that I really relate to and respect and feel some genuine emotions for - and it's quite hard, the pentatonic scale, and that, in a way, is why I think it works. Because I'm forced to limit myself to quite strict rules about what I did. Maybe that's how I avoided pastiche.
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Well, as resources inevitably disappear [in Africa], people have to make do with a lot less. You have to be much more ingenious with a lot less, and accept that you can't get your perfect tuna sandwich on a street corner.
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I like to put my iPad on the window and leave it there for however long the journey is, so that I'm staring out, and it's staring out. We're kind of staring out together. It's very poetic to me, watching that absent-minded passing of time. You realize how much you've taken in. What is left of that memory of you staring out of the window for an hour? It's all on the iPad.