Wong Kar-wai Quotes
Normally, filmmakers would just write a script and cast people to act as certain characters in the story. But in my way of doing things, I have the actors in my mind already, so I'm trying to borrow something that's unique to them. The characters have a very natural connection to the actors themselves.
Quotes to Explore
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I've never seen anyone handling pans in the streets of New York, and if I did I doubt I'd give them money, unless I needed a pan. I do give money to homeless people, whether they ask or no.
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I'm smart enough to know to work with smart people.
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The thing you notice here after America is how refreshingly ordinary people look because they haven't had their chin wrapped around the back of their ears.
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I'm not one of those people who wake up chatting. I usually don't want to speak for the first 10 or 20 minutes. And I don't really want you to talk to me either!
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The only important thing about design is how it relates to people.
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I was very against pink and purple when I was young, because they were girls' colors. But that was only because I didn't want people to write me off for what I can do. When I got into my 20s, I decided that was stupid.
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There are so many movies people make just to make money.
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What kind of America do people want to leave for their children? What horrors are down the road, stuff that was unthinkable 30 years ago?
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I have a great deal of respect and admiration for people who put themselves on the line.
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The power of youth is the common wealth for the entire world. The faces of young people are the faces of our past, our present and our future. No segment in the society can match with the power, idealism, enthusiasm and courage of the young people.
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Stephen Moyer is probably the most gracious, gifted actor that I've met. He's really intelligent. He has a real sensitivity to his character, to scenes, to scripts.
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I don't necessarily set out to teach or say anything in particular in my writing. Morals and themes come out as I'm telling the tale.
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Some people are fascinated by what they know, and some are fascinated by what they don't know. I'm just very interested in what's possible.
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My character at 'Mel's diner' was involved in betting on the horses and all that.
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I think people have turned terrorists into these larger-than-life devils and so are unable to write about them in the obvious way, which is as human, petty, bumbling.
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I see the world become so uniform. Everybody has to be the same. I like people who are different.
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But I don't want to be out there anymore; I don't want people asking me about my health issues, about my kids. I choose not to be a public paparazzi girl on purpose.
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I think that there are a lot of law enforcement officers out there who work according to their own set of what is right and what is wrong. And that doesn't always include respect for administration cops, you know, people that are higher up the food chain.
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That's what people forget about, is that when things are very, very powerful in a sad way, they have that possibility of also being over-the-top, hysterically funny.
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In hard-core science fiction in which characters are responding to a change in environment, caused by nature or the universe or technology, what readers want to see is how people cope, and so the character are present to cope, or fail to cope.
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The best way to start doing something is to start doing something.
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No one's perfect. And we've all made our mistakes and you just have to live with them and try to not make them again.
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Looking beyond the emerging markets, it is important not to lose sight of the growth opportunities that exist in the developed regions.
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Normally, filmmakers would just write a script and cast people to act as certain characters in the story. But in my way of doing things, I have the actors in my mind already, so I'm trying to borrow something that's unique to them. The characters have a very natural connection to the actors themselves.
