Wong Kar-wai Quotes
Normally, filmmakers would just write a script and cast people to act as certain characters in the story. But in my way of doing things, I have the actors in my mind already, so I'm trying to borrow something that's unique to them. The characters have a very natural connection to the actors themselves.
Quotes to Explore
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I've never seen anyone handling pans in the streets of New York, and if I did I doubt I'd give them money, unless I needed a pan. I do give money to homeless people, whether they ask or no.
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I'm smart enough to know to work with smart people.
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The thing you notice here after America is how refreshingly ordinary people look because they haven't had their chin wrapped around the back of their ears.
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I'm not one of those people who wake up chatting. I usually don't want to speak for the first 10 or 20 minutes. And I don't really want you to talk to me either!
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The only important thing about design is how it relates to people.
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I want everybody to run at the same speed as me. But some people are more conscientious, they think more and they plan more. And they're more careful.
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I was very against pink and purple when I was young, because they were girls' colors. But that was only because I didn't want people to write me off for what I can do. When I got into my 20s, I decided that was stupid.
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There are so many movies people make just to make money.
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What kind of America do people want to leave for their children? What horrors are down the road, stuff that was unthinkable 30 years ago?
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I have a great deal of respect and admiration for people who put themselves on the line.
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The power of youth is the common wealth for the entire world. The faces of young people are the faces of our past, our present and our future. No segment in the society can match with the power, idealism, enthusiasm and courage of the young people.
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Stephen Moyer is probably the most gracious, gifted actor that I've met. He's really intelligent. He has a real sensitivity to his character, to scenes, to scripts.
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I don't necessarily set out to teach or say anything in particular in my writing. Morals and themes come out as I'm telling the tale.
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Some people are fascinated by what they know, and some are fascinated by what they don't know. I'm just very interested in what's possible.
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My character at 'Mel's diner' was involved in betting on the horses and all that.
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I think people have turned terrorists into these larger-than-life devils and so are unable to write about them in the obvious way, which is as human, petty, bumbling.
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The people are starving. They need food; they need medicine; they need education. They do not need a skyscraper to house the ruling party and a 24-hour TV station.
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The people with low level of consciousness look for someone else to affirm their value, but people with higher levels of consciousness, what they seek is someone to point out their defects so they can become better.
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I see the world become so uniform. Everybody has to be the same. I like people who are different.
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But I don't want to be out there anymore; I don't want people asking me about my health issues, about my kids. I choose not to be a public paparazzi girl on purpose.
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At the beginning of my career, as a boy from Peru in London, suddenly discovering British culture and society, I looked so much at the work of the photographers Cecil Beaton and Norman Parkinson, which seemed to represent a wonderful vanished grandeur of my new country.
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I got no thrill from solving an integral equation, but I did get a thrill from building an exotic piece of equipment that worked.
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'Brisco' was the first show I created, and of course, at the time I had no idea what a special experience it was because I didn't have a frame of reference. After it was over I was like, 'Damn. Shoot. That was something special.' I'm still upset that it got cancelled.
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Normally, filmmakers would just write a script and cast people to act as certain characters in the story. But in my way of doing things, I have the actors in my mind already, so I'm trying to borrow something that's unique to them. The characters have a very natural connection to the actors themselves.
