Wong Kar-wai Quotes
Normally, filmmakers would just write a script and cast people to act as certain characters in the story. But in my way of doing things, I have the actors in my mind already, so I'm trying to borrow something that's unique to them. The characters have a very natural connection to the actors themselves.
Quotes to Explore
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I've never seen anyone handling pans in the streets of New York, and if I did I doubt I'd give them money, unless I needed a pan. I do give money to homeless people, whether they ask or no.
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I'm smart enough to know to work with smart people.
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The thing you notice here after America is how refreshingly ordinary people look because they haven't had their chin wrapped around the back of their ears.
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I'm not one of those people who wake up chatting. I usually don't want to speak for the first 10 or 20 minutes. And I don't really want you to talk to me either!
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The only important thing about design is how it relates to people.
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I was very against pink and purple when I was young, because they were girls' colors. But that was only because I didn't want people to write me off for what I can do. When I got into my 20s, I decided that was stupid.
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There are so many movies people make just to make money.
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What kind of America do people want to leave for their children? What horrors are down the road, stuff that was unthinkable 30 years ago?
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I have a great deal of respect and admiration for people who put themselves on the line.
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The power of youth is the common wealth for the entire world. The faces of young people are the faces of our past, our present and our future. No segment in the society can match with the power, idealism, enthusiasm and courage of the young people.
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Stephen Moyer is probably the most gracious, gifted actor that I've met. He's really intelligent. He has a real sensitivity to his character, to scenes, to scripts.
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I don't necessarily set out to teach or say anything in particular in my writing. Morals and themes come out as I'm telling the tale.
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Some people are fascinated by what they know, and some are fascinated by what they don't know. I'm just very interested in what's possible.
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My character at 'Mel's diner' was involved in betting on the horses and all that.
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I think people have turned terrorists into these larger-than-life devils and so are unable to write about them in the obvious way, which is as human, petty, bumbling.
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The people are starving. They need food; they need medicine; they need education. They do not need a skyscraper to house the ruling party and a 24-hour TV station.
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I see the world become so uniform. Everybody has to be the same. I like people who are different.
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But I don't want to be out there anymore; I don't want people asking me about my health issues, about my kids. I choose not to be a public paparazzi girl on purpose.
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I hope more people will ask diamond companies to continue changing the way they do business in Africa.
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What I tell these young people is, the world is not as dangerous as the older generation would like you to believe. Anyone I know who has ever taken a risk and lost a job has ended up getting a better one two years later.
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When I'm working with improv people, I give them the green light to just bring it and try things.
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I don’t really care that much about if I want to be more successful or less successful in art, because I never think life and art should be separate. What’s life if you don’t have conversation and joy and anger?
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Normally, filmmakers would just write a script and cast people to act as certain characters in the story. But in my way of doing things, I have the actors in my mind already, so I'm trying to borrow something that's unique to them. The characters have a very natural connection to the actors themselves.
