Bernice L. McFadden Quotes
But grief let loose from a woman who lost a child—that was the worst type of grief of all.
Quotes to Explore
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To me, 'Underground Luxury' is kinda like a contrasting title, and the reason for that is because on this album I plan on introducing to people and reintroducing to people the side of me that they didn't see on the first album.
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People take things so seriously.
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I worked at CNN for almost 26 years. I worked in Mutual Radio for 20 years. I've been in the business 57 years. I have never seen a bias off the air or on.
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When we direct our thoughts properly, we can control our emotions.
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I didn't want to be a number. I didn't want to be an object.
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There is no bore like a clever bore.
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Until Lee Elder, the only blacks at the Masters were caddies or waiters. To ask a black man what he feels about the traditions of the Masters is like asking him how he feels about his forefathers who were slaves.
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Do not consider it proof just because it is written in books, for a liar who will deceive with his tongue will not hesitate to do the same with his pen.
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If you're not in it you can't win it.
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I don't think you will meet anyone in Israel who will ever burn the American flag.
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I always pass on good advice. It is the only thing to do with it. It is never of any use to oneself.
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I feel very, very lucky that George has got a little sister.
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I always look at money not as a motivating factor but as an element in the composition. You can't ignore it, but you've got to be very careful that it's not motivating you.
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I know what it's like to have an inflated libido.
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All human beings are also dream beings. Dreaming ties all mankind together.
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Especially if you're over 40, shortening the term of your loan to pay it off sooner could make you mortgage-free in retirement.
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There are lots of things I'm acquainting myself with now to be a more well-rounded person.
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I would've been a really big silent movie star.
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When it looks like I may live longer than five minutes I'll drop cigarettes like a hot potato.
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I was able to capture on film things the actors didn't even know they were doing.
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Joy comes, grief goes, we know not how.
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And so I write the way I myself would like the book to be – if I were a child. I write for the child within me.
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I worked with some directors, and it was really collaborative, and I was sort of writing with them. I was giving so many pieces of myself to their movies, I thought, 'It's about time I use my own voice for me, and establish my own voice.' So I knew I wanted to make films.
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But grief let loose from a woman who lost a child—that was the worst type of grief of all.
