Carolyn See Quotes
'Gillespie and I' is a deliciously morbid, almost smutty story, a compendium of inappropriate wants and smarmy desires.
Quotes to Explore
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I'm not a great fiction reader. I love history. I love history and philosophy.
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It is my first preference to do films with social significance. Art cinema has given me credibility and status as an actor, but commercial cinema has given me a comfortable living.
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My dad is a comedian, entertainer, you know. He always likes to make people laugh. With me, it just depends on what mood I'm in. You get what you get.
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Part of America's greatness is its willingness to care for those who are truly in need. But those who defraud the system take money and resources away not only from American taxpayers but also from those who truly need help.
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Almost all the early Christian Fathers were opposed to the death penalty, even though it was of course standard practice across the ancient world.
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I can't take the theater side out of myself.
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We don't need bigger government. We need to shrink the size of government.
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I always tell people I went to the Harvard School of Comedy in front of America.
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Love is the ability and willingness to allow those that you care for to be what they choose for themselves without any insistence that they satisfy you.
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Whatever its flaws, the United Nations is still the only institution that brings together all the countries of the world. And it is the best forum for the United States to spur countries to act - and to hold them accountable when they don't.
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If you think about stuff that happened when you were young, it stays with you forever.
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The Soviet Union was a very useful ally in the defeat of Nazi Germany.
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What came up at age 49 is I realized that of all the things I'm interested in, the thing I'm most interested in is figuring out what makes people tick, why people think the way they do, why they act the way they do. And I realized that music is such a great way to investigate why people do what they do.
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That's what you want to do as an older artist - you want to reinvent, but there has to be that vein in there for why people were listening to you before in the first place.
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The left-brainer and the economist in me says watch what people do, not what they say.
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I never envisioned when I was reading that comic as a 17-year-old that I would have the opportunity to actually play the character.
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You'd never look at a Rembrandt and say, 'That's just wood and canvas and paint - how much?!' It's all about how many people want it. It works on a pair of jeans as well - they're just material and stitching, and as soon as you walk out of the shop, they're worth nothing.
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Computers let people avoid people, going out to explore. It's so different to just open a website instead of looking at a Picasso in a museum in Paris.
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The story of a passionate woman in a stale marriage is as old as Helen of Troy.
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A talib fires three shots at point-blank range at three girls in a van and doesn't kill any of them. This seems an unlikely story.
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One thing that's really pulled me in to helping artists create their album is that I get to help them tell a story. It's about the way you frame that story and finding the best way to tell that story.
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I'm pathetic when it comes to the Internet and getting stuff done.
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'Gillespie and I' is a deliciously morbid, almost smutty story, a compendium of inappropriate wants and smarmy desires.
