Carrie Brownstein (Carrie Rachel Brownstein) Quotes
It was writing about music for NPR - connecting with music fans and experiencing a sense of community - that made me want to write songs again. I began to feel I was in my head too much about music, too analytical.
Quotes to Explore
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We're more interested in someone writing a really great answer that's going to be read by thousands or tens of thousands of people over the next few years as it stays on Quora and as it gets distributed on the Internet.
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Writing an essay is like a school assignment: I have my topic, I organize my thoughts, and I write it. I have complete control over what I'm doing. Writing a novel is like setting out on a journey without knowing who or what I'll encounter, how long it's going to take, or where I'm going to end up.
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I think that the idea that I'm writing for many more people than I ever imagined has created a certain general responsibility that is literary and political. There's even pride involved, in not wanting to fall short of what I did before.
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Honest criticism, I suppose, has its place. But honest writing is infinitely more valuable.
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One thing I've tried to do in writing music is take on very basic things, very archetypal things.
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I've been writing about my boyhood, when I was a little kid back on my grandfather's farm where we didn't know about black widow spiders or all that stuff. But writing about that is so easy.
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Like, when I write a song, the song comes first before production. Everything is written on an acoustic guitar so you can strip away everything from it and have it be equally as entertaining and good without the bells and whistles.
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In my wildest imagination, I never thought that the fifth of six children born to Helen and Buddy Watts - in a poor black neighborhood, in the poor rural community of Eufaula, Oklahoma - would someday be called Congressman.
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What sort of Europe do we want to have? Parallel societies? Muslim communities living together with the Christian community?
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I always joke that my kids' favorite holiday is Father's Day. They love the way I celebrate the occasion by writing each of them a thank-you letter and a generous check. It's my way of letting them know how much I appreciate the great pleasure and privilege of being their dad.
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Good writing excites me, and makes life worth living.
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I'm still very much a believer in the spontaneity of certain kinds of writing. But then you have to eventually, when you're writing a long play, make adjustments along the way - all kinds of adjustments.
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But when I was a little kid, I was always writing stories and illustrating little books that I would create.
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We wanted to write a whole song about partying and then taking Yellow Cabs home. That's the weirdest topic we've ever thought of centering a song around.
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I enjoy writing. Publishing... not so much. I've been lucky to work with some very talented people in the publishing world, and the print industry has allowed me to write full time.
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When making the first album, I think I wrote a song about every six months. The first album was so much about the vocals carrying it.
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One of my real goals was to hear someone whistling a song I'd written.
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'Night Shift' is the only breakup song I've ever written.
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When I picked up guitar, it wasn't like, 'OK, I'm going to be Kenny Chesney.' It was like, 'I want to play a chord,' and then it was like, 'I want to play another one, then play a song, then sing while playing the song.'
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I like to write pop songs and the stuff I write is fairly poppy, so I thought maybe my lot in life was to write pop songs for people. It never felt right writing songs for other people to sing, though.
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I don’t like writing for comedians. I like writing for actors. The best comedians are the best actors.
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So far is it from being true that men are naturally equal, that no two people can be half an hour together, but one shall acquire an evident superiority over the other.
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Remember when Japan was cool? We used to run around with 'Mr. Roboto' on our Walkmans, 'The Karate Kid' in our Betamaxes and wore T-shirts embossed with the characters for 'storm sewer' and 'dishwasher.'
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It was writing about music for NPR - connecting with music fans and experiencing a sense of community - that made me want to write songs again. I began to feel I was in my head too much about music, too analytical.
