Carrie Fisher (Carrie Frances Fisher) Quotes
There is no point at which you can say, "Well, I'm successful now. I might as well take a nap."
Quotes to Explore
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Romantic comedies are particularly hard to make.
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I'd feel guilty just doing gags.
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My father was military, so I traveled a lot, so I had 13 to 15 first days in new schools. Bullies transcend culture, unfortunately, and I had to deal with them wherever I went. I knew how to defend myself. But I didn't know how to fight.
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I remember the great atmosphere and the great stadium.
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There have been times in my life when I felt compelled to write things down as a matter of therapy, but whatever I kept about those days, I shredded. It was too personal.
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I've seen the greatest actors in the world, transcendent talents, who can't find a home.
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There is but one honest limit to the rights of a sentient being; it is where they touch the rights of another sentient being.
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Dancers, many dancers today can do so much technically. You can give them steps that are complicated, then more complicated, pyrotechnical - and they can execute these steps to perfection. But to do simple steps with a pure classical line, that is truly difficult.
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I hump the wild to take it all in, there is no bag limit on happiness.
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I love to tease men with my legs.
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I have never, ever talked about my orientation or sexuality because whether I am heterosexual, homosexual, bisexual, asexual, it is my concern. I refuse to talk about it... I have not been brought up to talk about my sex life.
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I don't need to impress children.
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You can't change anyone else, but people do change in relationship to your change.
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When I got to Iraq, my world focused in on one mission. It was incredibly rewarding.
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For 'Iron Man' I had to improv with Robert Downey Jr., which is like going up against LeBron in basketball. At one point he stopped and said, 'Can we give a round of applause to Olivia, because she's rocking it right now.'
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I worked for Microsoft until 1996, till I had a different angle to view life. I wanted to be an entrepreneur and control my own destiny.
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But there's a thin line between songwriting and arranging.
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If only she could have held on to that day, held on to that moment forever, grasped it in her fists so it wouldn't escape. If only.
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In the autumn of 1970 I had a job singing in the school system, playing my guitar in classrooms.
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For the past few years, I was the more visible Asian performer, and I think it gave young girls a kind of role model showing it's possible to actually reach success doing movies.
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I've found in the past that the more closely I identify with the heroine, the less completely she emerges as a person. So from the first novel I've been learning techniques to distance myself from the characters so that they are not me and I don't try to protect them in ways that aren't good for the story.
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The happiest days of my youth were when my brother and I would run through the woods and feel quite safe.
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There is no point at which you can say, "Well, I'm successful now. I might as well take a nap."
