Carrie Fisher (Carrie Frances Fisher) Quotes
The only one who didn't know was George Lucas. We kept it from him, because we wanted to see what his face looked like when it changed expression--and he fooled us even then. He got Industrial Light and Magic to change his facial expressions for him and THX sound to make the noise of a face-changing expression.
Quotes to Explore
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My first book, 'In Praise of Slowness,' examines how the world got stuck in fast-forward and chronicles a global trend towards putting on the brakes. That trend is called the Slow movement. 'Slow' in this context does not mean doing everything at a snail's pace. It means doing everything at the right speed.
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I can't say I'm having trouble with my husband or that I have a stubborn child.
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The performances you have in your head are always much better than the performances on stage.
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I wish I could play the World Cup; that's one of my dreams.
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The train system in India is chaotic and fun - it's the best way to see the landscape. Being in with all the families and also being the odd animal is a colourful experience you'll never forget.
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The cool thing about reading is that when you read a short story or you read something that takes your mind and expands where your thoughts can go, that's powerful.
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You'd have to be an idiot to say no to 'Hunger Games.'
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The fighter loses more than his pride in the fight; he loses part of his future. He's a step closer to the slum he came from.
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When I was about 16, I got my ball taken off me by the police for playing in the street - which is pathetic really.
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The thing about abs is if you hit them daily, you feel more put-together.
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The spirit of an age may be best expressed in the abstract ideal arts, for the spirit itself is abstract and ideal.
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'I feel healthy! I feel happy I feel terrific
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Twenty years will produce all the mischief that can be apprehended from the liberty to import slaves. So long a term will be more dishonorable to the National character than to say nothing about it in the Constitution.
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When you get married and have children, and you start having hits and success and your business starts growing, there's less and less time for songwriting.
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If the minority is able to successfully undo the Affordable Care Act by blackmail, it will be the undoing of the democratic nature of our government.
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Art can't be taught; passion can't be taught; discipline can't be taught; but craft can be taught. And writing is both an art and a craft.
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I feel fortunate to be part of the cooking community. We learn from each other.
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'XXL,' they call me a freshman, but I'm a pro. So, this a platform to let people know I'm out here.
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I wouldn't change a thing in my own life, but I'd like to go back in time anyway though, just to some sort of eras that I wish I'd lived in - like the '60s. I'd love to have been in London in the '60s, partying away.
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Sometimes you find your voice by trying to write like people, and sometimes you find it by trying to write unlike people.
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Who wants to go beyond the Bojador Must go beyond pain.
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I definitely have been very mindful of what kind of leader and creator I want to be. A lot of that has to with looking at the writers that you work with. They're all like your children. They all need love, but different versions of it.
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"Look," I said, "We knew Jason and Becky would be back, the break would end. This isn't a surprise, it's what's supposed to happen. It's what we wanted. Right?" "Is it?" he asked. "Is it what you want?" Whether he intended it to be or not, this was the final question, the last Truth. If I said what I really thought, I was opening myself up for a hurt bigger than I could even imagine. I didn't have it in me. We changed and altered so many rules, but it was this one, the only one when we'd started, that I would break. "Yes," I said.
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The only one who didn't know was George Lucas. We kept it from him, because we wanted to see what his face looked like when it changed expression--and he fooled us even then. He got Industrial Light and Magic to change his facial expressions for him and THX sound to make the noise of a face-changing expression.
