Napoleon Bonaparte Quotes
France always has plenty men of talent, but it is always deficient in men of action and high character.
Quotes to Explore
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There is no need to change my image. I like my image, and the audience likes it, too. I am very comfortable with the kind of roles I do, and as I am not doing the same character or playing myself. I explore my characters; I don't brood over my broody image.
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Everyone has something to sell. The greatest thing you can ever sell is an idea or talent.
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It's actually meditative to sit in a character for an extended period of time, realizing what your relationship is to who you're playing and then letting go, just being there.
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I'm always looking for something new: a new inspiration, a new philosophy, a new way to look at something, new talent.
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I've gone very far, far away, but my character keeps me close to home.
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I know feeling pressure gets you nowhere creatively. You've just got to understand the character, understand the story, and just play it to the fullest extent.
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But in action, one defies one's character.
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My character in 'Batman v Superman' isn't supposed to be Japanese, but director Zack Snyder said he'd seen me in 'Wolverine' and had to get me in the film somehow. Hearing that was like music to my ears.
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The test of character is having the ability to meet challenges.
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When you choose your friends, don't be short-changed by choosing personality over character.
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Never jeopardize who you are for a role. Now, I'm not saying you should never change for a role, because the fun of being different characters is adapting different nuances and different parts of the character, but never jeopardize your moral compass or anything like that to have a role.
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You know, I'm from the South, and I wasn't interested in perpetuating a stereotypical southern character.
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I grew up on the rough side of the tracks. If you looked like you were soft, you would be fodder for the wolves. I came up in my neighbourhood like, 'I'm just gonna be me,' and all the thugs just said, 'It's OK, he's special.' They knew I had the talent with the rhymes, so they kept me around.
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It is my absolute belief that Indians have unlimited talent. I have no doubt about our capabilities.
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I read the script for 'Guncrazy' in 1985 and loved it because it was one of the few scripts I'd come across that revolved around a strong female character.
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What drew me to the character is that Roberto Duran is the son of an American soldier - a Marine - stationed in Panama and a humble Panamanian mother, and he was abandoned.
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I always try to approach character first and foremost viscerally.
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My director is usually aware of what works for me and what doesn't. For 'Srimanthudu,' I have to give full credit to director Koratala Sivagaru for handling my character the way he did.
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I think paranormal experiences are very personal, again, if they are that. Yes, sometimes I've felt that some things I would personally believe enough for me to take action on it... like, you know, I felt something happen in a hotel once that made me never stay there again.
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All personal achievement starts within the mind of the individual-knowing your problem is the first step in finding the solution.
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My mom and grandmother were actresses, and I knew I was going to do this since I was super young. I would put on shows at my grandparents' house and sing 'Somewhere Over the Rainbow' in the living room. I was in drama club and chorus, and I knew every word to 'Grease.'
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The fact that I was going to be the first American woman to go into space carried huge expectations along with it.
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Three writers together would be a nightmare of obstreperous self-consciousness.
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France always has plenty men of talent, but it is always deficient in men of action and high character.
