Casey Abrams Quotes
There's got to be a backbone, there's got to be a skeleton to the whole way I perform, but you never want to hit the same note twice during a performance, I think. I think it's always got to be fresh so it doesn't bore me, and I always want to go out on edge.

Quotes to Explore
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There's a lot of skeletons in my closet, but I know what they're wearing. I'm not gonna act all ashamed of it.
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I am thrilled yet overwhelmed. There are so many great women athletes, some incredible performances.
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Notes are tricky in an audition, because I find, more often than not, my instinct is right.
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Speech is an arrangement of notes that will never be played again.
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The waiters' eyes sparkled and their pencils flew as she proceeded to eviscerate my wallet – paté, Whitstable oysters, a sole, and a favorite salad of the Nizam of Hyderabad made of shredded five-pound notes.
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I don't know why people are so surprised by my live performances. My approach is so simple; every song I sing, every story I tell, every move I make, must move the audience to laughter, tears or inspiration. Otherwise, why should I do it?
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Having been a child actor, I remember how directors would trick me to get good performances out of me. I don't think you need to do that.
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The musical performances do more than enrich the movie; they complete it.
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Tallulah [Bankhead] never bored anyone, and I consider that humanitarianism of a very high order indeed.
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I learn a great deal by merely observing you, and letting you talk as long as you please, and taking note of what you do not say.
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How much we like ourselves governs our performance.
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[I influenced by ]the work of early [Michelangelo] Antonioni, Orson Welles and [Carlo] Pasolini, I love [Nicolas Jack] Roeg's film "Performance".
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I think you get the most honest performances when an actor shows up to set with their lines memorized. That's a very important thing that a lot of people seem to forget.
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You can't stand up for Canada with a banana for a backbone.
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A vocation is the backbone of life.
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I'll note you in my book of memory.
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With eyes up-rais'd, as one inspir'd, Pale Melancholy sate retir'd, And from her wild sequester'd seat, In notes by distance made more sweet, Pour'd thro' the mellow horn her pensive soul.
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Men are so willing to respect anything that bores them.
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Everything I do is geared towards improving my next performance.
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It was a period when they used to read into our lyrics a lot, used to think there was more in them than there was.
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...the waiter has to come from a place of concentration, subjugation, and complete, limitless service. Nothing is too much trouble. The customer is always right, even when he is wrong. There is no limit to what you will do to serve while that person is in your bar and in your care.
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There's got to be a backbone, there's got to be a skeleton to the whole way I perform, but you never want to hit the same note twice during a performance, I think. I think it's always got to be fresh so it doesn't bore me, and I always want to go out on edge.