Catherine Breillat Quotes
There is no masculine psychology in my cinema. There is only the resentments and desires of women. A man should not attempt to recognize himself in my male characters. On the other hand, he can find in the films a better understanding of women. And knowledge of the other is the highest goal.
Quotes to Explore
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Having an understanding of what's possible also makes me redouble my efforts to fight those who stand in the way of doing the things that my constituents and the country would want to get done.
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Wit is the appearance, the external flash of imagination. Thus its divinity, and the witty character of mysticism.
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I am a Muslim. I am born to Muslim parents. I have a Muslim son. I have been imprisoned and witnessed torture for my previous understanding of my religion.
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We all wish to live. We all seek a world in which men are freed of the burdens of ignorance, poverty, hunger and disease. And we shall all be hard-pressed to escape the deadly rain of nuclear fall-out should catastrophe overtake us.
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I'm done with men... I'm going to be alone. I have no luck with relationships. I don't think I'm made for marriage.
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There was a scene in 'Qubool Hai' where Asad shoots his father. After shooting for it, I was drained completely. At times, my character's mood gets very depressing. Post shoot, it takes a good half hour to get out of character, to leave Asad behind.
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Every actor's deepest desire is to reach a huge audience. So, I don't look down upon commercial cinema... there's a beauty in it that you understand sooner or later.
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British passion for Chinese tea was unstoppable, but the Chinese had no desire for our offerings, however much we tried to sell them woolen clothes or cutlery.
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We live under a government of men and morning newspapers.
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Terrorism has long been a tactic, but modern technology allows a few small men with outsized rage to murder innocents on a horrific scale.
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The little world of childhood with its familiar surroundings is a model of the greater world. The more intensively the family has stamped its character upon the child, the more it will tend to feel and see its earlier miniature world again in the bigger world of adult life. Naturally this is not a conscious, intellectual process.
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The Government as Substitute Husband did for women what labor unions still have not accomplished for men. And men pay dues for labor unions; the taxpayer pays the dues for feminism. Feminism and government soon become taxpayer-supported women’s unions.
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All men are stuck in a kind of fog. They're surrounded by a wall of fog. They think this is perfectly normal, but it's not. It means that since they can't see much beyond their own little situation, they tend to vegetate. They need some immediate stimulus to keep them alert.
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I would not want to be a politician... Let me tell you this: If I was campaigning, and I go against my opponent and he started attacking my character, and I leap over the table and choke him unconscious, would that help my campaign?
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It was the men I deceived the most that I loved the most.
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Truth has no special time of its own. Its hour is now - always, and indeed then most truly when it seems most unsuitable to actual circumstances. Care for distress at home and care for distress elsewhere do but help each other if, working together, they wake men in sufficient numbers from their thoughtlessness, and call into life a new spirit of humanity.
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'This is a place of peace,' Medwyn said, 'and therefore not suitable for men, at least, not yet.'
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If there's anything Trollope novels always take seriously, it is money - how it flows from one character to another, how it is managed, who has it, who deserves it, and what it means to a character, male or female.
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I don't know the taxpayer has perhaps much of an understanding of just how much wealth has been and is being and can be created that flows through the economy and just how many jobs depend upon it.
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We saw 'Swiss Army Man' and fell in love with the Daniels, who are adventurous filmmakers and radical storytellers, pushing the boundaries.
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We are all several different people. There are different aspects of our nature that are competing.
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You can tell how uninteresting a person is by asking him whom he finds interesting.
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There is no masculine psychology in my cinema. There is only the resentments and desires of women. A man should not attempt to recognize himself in my male characters. On the other hand, he can find in the films a better understanding of women. And knowledge of the other is the highest goal.
