Rachel Kushner Quotes
When one is the type of writer who cares about the meaning of the historically specific setting, the history itself is not something that I would call backdrop. It's not window dressing for a timeless relationship about love and betrayal. For me, the setting and the specific history are active co-agents with me in trying to form the novel.
Quotes to Explore
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I don't know what it's like in the U.S. but immigrants in the U.K. do the jobs the citizens won't do.
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Our plans never turn out as tasty as reality.
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You don't want to meet anybody in Cannes. It's the worst place, I think, to meet somebody - one of the worst places.
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I breathe martial arts every day of my life.
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It's been a long slog back, and we've still got a long way to go.
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It is well known that Beauty does not look with a good grace on the timid advances of Humour.
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The only difference between the Republican and Democratic parties is the velocities with which their knees hit the floor when corporations knock on their door. That's the only difference.
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The extra pass and the extra effort on defense always get the job done.
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I couldn't follow nobody's rules.
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I divide criticism into two categories - one coming from those who understand music, who are worthy of being critical because they are knowledgeable about what they are saying; and then there is another category of people who would criticise you anyway, whether your work is good or bad.
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Zoroastrians believe in one Great Almighty Spirit of Good who is in combat against evil forces, and Goodness prevails in the end. There is no self-flagellation or staring at the sun or snake-handling.
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The lovers of romance can go elsewhere for satisfaction but where can the lovers of truth turn if not to history?
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I've always dreamed of having a large family.
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The biggest cowards are managers who don't let people know where they stand.
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It should take you 15 minutes to make a song, and then get out of there.
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I'm only an actor. I'm not a writer. I'm not going to leave any legacy. All I've ever done is learn the lines and say them.
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I have great admiration for the way the Americans do business. They drive a hard bargain, but once they do it, they stick to their contracts.
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Hair is also a problem. I remember once, when I was reporting from Beirut at the height of the civil war, someone wrote in to the BBC complaining about my appearance.
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The kindest word to describe my performance in school was Sloth.
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As an individual who undertakes to live by borrowing, soon finds his original means devoured by interest, and next no one left to borrow from - so must it be with a government.
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Faith is a continuum, and we each fall on that line where we may. By attempting to rigidly classify ethereal concepts like faith, we end up debating semantics to the point where we entirely miss the obvious - that is, that we are all trying to decipher life's big mysteries, and we're each following our own paths of enlightenment.
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I taught woman-centered childbirth classes for five years and have a particular interest in the history of childbirth practices.
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I'm trying to open up my range and really sing more. With The Fugees initially, and even with 'Miseducation,' it was very hip-hop - always a singing over beats. I don't think people have really heard me sing out. So if I do record again, perhaps it will have an expanded context. Where people can hear a bit more.
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When one is the type of writer who cares about the meaning of the historically specific setting, the history itself is not something that I would call backdrop. It's not window dressing for a timeless relationship about love and betrayal. For me, the setting and the specific history are active co-agents with me in trying to form the novel.
