Catherine Deneuve (Catherine Fabienne Dorléac) Quotes
Quotes to Explore
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I think the three Mexican directors that came before me did a very good job in Hollywood because they came in and started directing things like 'Harry Potter.'
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I am half Puerto Rican, a quarter German and a quarter black. That was always a big issue for me - being mixed race - because casting directors tended to be very like, 'OK, are you Hispanic for this role?' 'Or is she going to be African American?'
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My choice is what I choose to be.
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As a director, I hoped that I was able to help the actors by giving them the space and the respect they need and the trust. I gave them what I always felt I needed when I was working.
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I'm shy to call myself a director still. When someone says, 'What do you do for a living?' I don't know if I've earned that.
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I'm so consistent that my director's cuts are usually 20-25 minutes longer than the released version of the movies.
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It doesn't matter if you work with an Oscar winner or if you work with an unknown actor. There is always a collaboration between the director and the actors, and you always have to listen as the actors have to listen to you as a director.
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I love supporting emerging voices, and new writers and directors. I love engaging an audience in a way that doesn't have to involve me, personally, and yet still generates an experience for groups of people.
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When I think back on it, of course I got lucky and got great directors and good breaks but all that was the physical part. But what made me a star was that I could take a chance and not have anything to worry about in terms of losing.
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I just think there are a lot of celebrities who don't feel that they have a voice. A lot of actors come from a place of fear, and that's just a general statement about actors. You're terrified the casting director won't like you, you're terrified the producer won't like you, you're terrified the director won't like you, and on and on.
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It's possible for me to make a bad movie out of a good script, but I can't make a good movie from a bad script.
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I'm a performer, comedian, entertainer, writer and director.
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I've imparted that philosophy to the writers, but some of them look stuff up while some don't. Same with the editors, directors and actors. To each their own.
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The director's very important to me, particularly when the director has a recognizable style.
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David Mamet we all know is a great screenplay writer and playwright and a great director. If you like him, you like him. If you hate him, you really hate him. He's someone who's into controversy, you know what I mean? That's David Mamet.
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As an actor you're only as good as the things you're offered. And there just weren't any female directors offering me things. So when you dissect that, you realize there aren't women offering you things because they don't have the opportunities. I work to raise money for women's cancers; I use my voice for violence against women.
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I am impatient with directors who don't know what they want, and the way you don't know what they want is because they want to do one more. "Let's do one more." So, "What for?" I guarantee you there's not going to be a change.
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I absolutely love Las Vegas. I've been there a bunch of times on my own.
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Reviewers are certainly entitled to their own opinions. I've become buddies with enough writers and directors, and to be perfectly honest, the ones that have lasted a long time don't pay a lot of attention to the reviews.
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I think what made it difficult for people to get, and still makes it difficult for people to get, is the theatrical nature of the work and the fact that, my music doesn't exist without the performance-art element.
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We have got to encourage other nations also to come along with us with the impacts of climate change, what we can do about that.
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Talking to each other instead of talking about each other is not some kind of nicey-nice (ph) idea. It's the difference between societies falling apart and societies getting something wonderful done.
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Directors have to push me. I have to be pushed up. Not all the time, but often.
