Gary Burton Quotes
There are a few things that I will hopefully be credited for as a pioneer. One is my four-mallet playing. Another one is the starting what was first called jazz rock in 1967 when I started my first band, later became jazz fusion by the 1970s.
Quotes to Explore
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What the Beatles did was something incredible, it was more than what a band could do. We have to give them respect.
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I write fast. But it takes me a while to get going. It's very important for me to see my whole plot. I have to see the end first because I like a surprise in the end. Which is why I let characters and plot gestate in my mind.
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But since we've been fighting for first or second place, it's grabbed the media's attention. I enjoy racing them. They are a good team and when you beat them it's something to be proud of.
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Accept loss forever.
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Our international success started out first because we became the No. 1 casual wear brand in our home market of Japan. Then, we set up stores in the world's major fashion centers of New York, Paris and London.
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It's amazing, it doesn't feel like it has been 10 years since retirement.
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When you're a kid you're already trying to create your own world and organize the one in front of you, but then you get all insecure around 6th grade and don't think you have a right to share that.
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We demand that people should be true to the pictures we have of them, no matter how repulsive those pictures may be: we prefer the true portrait in all its homogeneity, to one with a detail added which refuses to fit in.
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I try not to see Woody Harrelson because he has become this big movie star, and it grates, so I try and stay away from him.
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I compose music for films, and by the grace of God, I've got a few awards. That's it.
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Apparently, Daniel Craig said I'd be a great Bond. Daniel, why did you say that? Dropped me right in it! What an honor it would be, but also, what an indication of change.
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I really like the collaboration of doing movies and television. But I like the sort of solitary work of doing music.
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I miss driving to Goodison Park. I miss just the positive energy of the fans walking into the stadium and how much they care about that club and the team. And I miss the players a lot.
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I was a foggy, erratic teenager: a fifth child, the last in the queue for conversation or attention.
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There's six of us, and they didn't treat any of us different. They loved us the same. They treated us all the same, and I just want to be like them when I grow up.
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But as the arms-control scholar Thomas Schelling once noted, two things are very expensive in international life: promises when they succeed and threats when they fail.
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The focus of Congress is on keeping the nation secure - and it doesn't see that food security is an essential part of that responsibility. Instead of putting more food on the tables of America, they are busy finding ways to take it away.
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I thought a director was like a pillow who sat under the writer, supporting them and submitting to their vision. It took me a long time to realise that what a writer really wants is a production that matches the play and the writing. It is the only way the play can achieve its full potential.
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Overprotecting intellectual property is as harmful as underprotecting it. Creativity is impossible without a rich public domain. Nothing today, likely nothing since we tamed fire, is genuinely new: Culture, like science and technology, grows by accretion, each new creator building on the works of those who came before. Overprotection stifles the very creative forces it's supposed to nurture.
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When we first met, I was trying to put a band together. I asked around at school for other guys who wanted to play in a band. Someone told me about a juvenile delinquent they knew who played bongos.
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Think back to the early rock n' roll records, and the average record length in the '50s - and well into the '60s - was two and a half minutes. It's very hard to put that much songwriting into two and a half minutes.
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He is not only dull in himself, but the cause of dullness in others.
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There are a few things that I will hopefully be credited for as a pioneer. One is my four-mallet playing. Another one is the starting what was first called jazz rock in 1967 when I started my first band, later became jazz fusion by the 1970s.
