Mike D (Michael Louis Diamond) Quotes
Growing up in New York City and hip-hop are two inseparable things, two things that are totally intertwined in our lives.
Quotes to Explore
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I can think of no one that my grandparents knew, that told me stories and that I experienced myself, had any sense of social inferiority growing up in segregated Washington. None whatsoever.
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New York City has no need to move on from 9/11 because, in a sense, it moved on days after, moments after.
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I went to college in Pittsburgh at Carnegie Mellon University... studied acting there. Then I went to New York for about five years. I moved out here about 10 years ago.
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We all got driven out of Manhattan. It was a very conducive place for artists when I was growing up, and now it's definitely not. The city has been completely taken over by the rich.
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I was always told at school that you had to have a back-up plan, but all I ever wanted to do was act. There was no plan B for me.
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Outside of hip-hop, it was in comics that I most often found the aesthetics and wisdom of my world reflected.
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People are overwhelmed looking up at the Mount Everest of environmental challenges that we face. But you put one foot in front of the other and you recognize that not everyone is Sir Edmund Hillary.
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I decided that I wanted a farm back in 1940 when I was with the Dodgers. I tried to find one within commuting distance of New York.
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I'm a pretty chill and easygoing person; most people in Australia are, as well. I don't think I ever really saw a lot of fights growing up. I think it's hard to get people in Australia angry and want to fight, minus one or two people in the media... but we won't say any names.
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I have got the best of both worlds; growing up in Edinburgh and now living outside Glasgow.
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Growing up, there were no families on TV that looked like mine.
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Growing up in a small town gives you two things: a sense of place and a feeling of self-consciousness - self-consciousness about one's education and exposure, both of which tend to be limited. On the other hand, limited possibilities also mean creating your own options.
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To tell you the truth, I hadn't seen any Pixar until I went to see 'Wall-E,' and I watched it and I was shocked to see how adult it was, with the setting in our lives, both present and future, and how they dealt with it... And then quite relieved to find that the one I was working on, 'Up,' how adult it was.
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In New York you can just walk out and be among people. You're on the subway among people, you go to cafes, you can talk to people.
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When I was in New York, the whole vibe was really just not matching with me. I was kind of super depressed in New York. It just had this vibe of 'Get out,' you know? I would try to get out, and we'd look back and just see the city and feel like, 'Oh, I have to go back to prison again.'
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So as I was growing up, my father was always in the middle of making a film or preparing a film. It was a full-time, all-consuming type of operation.
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New York is a fantastic city.
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I spent the first five years of my life in Punjab, India, and then moved to New York.
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And when I first came out from New York, I hadn't driven in a long time. Now I'm like Joe Speedster.
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The photo-journalist and the photo-poet are both important. The problem is to separate the major objectives of the various groups and not to attribute qualities and intentions where they do not belong.
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Don't corral me, and I'll always come home. Just let me go out and play during the day.
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We must protect our most precious resource, our environment, for future generations.
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Growing up in New York City and hip-hop are two inseparable things, two things that are totally intertwined in our lives.
