Mike D Quotes
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For me, growing up in New York, it started with Elvis Costello and the Clash and then got into louder things like Bad Brains and Stimulators, because those were, like, the local bands. Then I started getting into bands from England like the Slits. I remember seeing Gang of Four at Irving Plaza; that was a really big show for me.
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No Catholics in my family.
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Denver and Boulder are good record-buying cities. I don't know why.
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When Yauch died, it was really like losing my older brother. I mean, I have biological older brothers, but growing up, Adam really was my older brother.
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When you start rhyming, it's hard to find things that rhyme with Yauch, Horovitz and Diamond.
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I feel no compunction to defend L.A. People criticize it, and for the most part, it's well-founded.
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Lofts are great. But with a home, there is a lot to be said for delineated space. To have the luxury of a little separate work space is huge - and to have the dream-sequence master bath.
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The bottom line with a lot of bands that funk is being applied to is that they don't really listen to funk and aren't versed in funk. Like, you know, Gordon Lightfoot.
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All the music I listened to in high school that I loved and that moved me wasn't the same music other kids were listening to in school. I got into punk rock and new wave, then dub and hip-hop.
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Yauch was a gifted MC.
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We have rocked the ozone radically, man. They could probably fix the ozone if everybody stopped what they were doing and they put some cement up there.
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We have not been able to tour since MCA, Adam Yauch, died.
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What would've been the downside of holding bin Laden accountable by our own values of justice by which our country is based on?
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I'm the first to admit that we were totally dependent on a particular place and time... for us, seeing Minor Threat at the CBGB hardcore matinee was just as necessary a force in our lives as the Treacherous Three at Club Negril or the Funky Four + One More at the Rock Lounge.
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My parents were very, very good about not separating us as kids from their adult friends. So on any given night, we'd have, like, this kind of freak show - artists and art dealers coming over. And these are the people I feel like I learned from.
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We do not let our music get used in commercials for commercial products.
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We never set out to be superstars.
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New York isn't segregated the way many American cities are, where there are specific ethnic neighborhoods that don't necessarily co-exist, or they co-exist but in a much separate sense.
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Leaving Def Jam was kind of a blessing in disguise because we can make whatever record we want.
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Wine is similar to music in that it's a purely experiential realm, and it's a purely subjective practice. That's sort of the funny thing about wine criticism or, for that matter, music criticism. At times, those are useful guides, but ultimately it's all about how you react to that music or wine.
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We're banned from a whole lot of hotels, and we're running out of hotels we can stay in.
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Mr. Philippe Zdar is a little bit like the uncle of the whole Daft Punk-Phoenix-Air thing in Paris and known for being in the group Cassius. It was interesting working with Philippe.
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Things change. I used to have a real resistance to it and hold on to things, but let things happen and go with it, and you will actually go through it, and it's a lot less stressful.
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London cabs always dis me. I purposefully give them a good tip because I'm trying to straighten up the image where they don't want to pick up some shady-looking, bummy kid like myself. I'm trying to teach them that if you pick up the bummy-looking kid, you still get tipped, man. But they still jerk me around.