Catherine Opie Quotes
Quotes to Explore
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Who sees the human face correctly: the photographer, the mirror, or the painter?
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I'm sometimes called a 'documentary photographer' but... a man operating under that definition could take a sly pleasure in the disguise. Very often I'm doing one thing when I'm thought to be doing another.
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I’m no part time dilettante photographer, unlike the bartenders, shoe salesmen, floorwalkers plumbers, barbers, grocery clerks and chiropractors whose great hobby is their camera. All their friends rave about what wonderful pictures they take. If they’re so good, why don’t they take pictures full—time, for a living, and make floor walking, chiropractics, etc., their hobby? But everyone wants to play it safe. They’re afraid to give up their pay checks and their security they might miss a meal.
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There are photographic fanatics, just as there are religious fanatics. They buy a so-called candid camera there is no such thing: it’s the photographer who has to be candid, not the camera.
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I photograph to see what the world looks like in photographs.
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Great photography is always on the edge of failure.
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I certainly never wanted to be a photographer to bore myself. It's no fun - life is too short.
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I am an amateur and I intend to stay that way for the rest of my life.
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I used to watch a lot of documentaries about Satanic possession - and I don't know if this is racist or not - but in the documentaries, it never happened to Americans! It was always happening in Central America or South America; that's where the priest was always going down to exorcise possessed people. So I didn't have a lot of fear of being possessed by the devil.
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If the photographer is not a discoverer, then he is not an artist.
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The camera machine cannot evade the objects which are in front of it. When the photographer selects this movement, the light, the objects, he must be true to them. If he includes in his space a strip of grass, it must be felt as the living differentiated thing it is and so recorded. It must take its proper but no less important place as a shape and a texture in relationship to the mountain tree or what not, which are included.
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The documentary photographer aims his camera at the real world to record truthfulness. At the same time, he must strive for form, to devise effective ways of organizing and using the material. For content and form are interrelated. The problems presented by content and form must be so developed that the result is fundimentally [sic] true to the realities of life as we know it. The chief problem is to find a form that adequately represents the reality.
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Herein lies the main objective of portraiture and also its main difficulty. The photographer probes for the innermost. The lens sees only the surface... .
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In every photographer there was a painter, a true artist, awaiting expression.
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What is right? Simply put, it is any assignment in which the photographer has a significant spiritual stake...spiritually driven work constitutes the core of a photographer's contribution to culture.
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I want to make a picture that could stand on its own, regardless of what it was a picture of. I've never been a bit interested in the fact that this was a picture of a blues musician or a street corner or something.
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It's disgusting. Why would people idolize someone who doesn’t do anything and saying you're a model/photographer with a digital camera and photoshop does not count as an artist.
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Everybody should have a documentary made about themselves. It's amazing what you see and what you learn.
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I know sometimes, that all it takes to be invincible, is to know you are such.
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My experience in the music industry made me very thick-skinned. Your art is something very personal and there's never a shortage of critics when it comes to art.
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If a news camera shows up, people will line up, they want to be seen. But at the same time they want both to be chosen and not singled out. I think that is an endless struggle within most.
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Sometimes I wonder if men and women really suit each other. Perhaps they should live next door and just visit now and then.
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I'm kind of a twisted social documentary photographer.
