Cecelia Ahern Quotes
Quotes to Explore
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President Reagan stood for conservative principles in a way that brought people together.
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My mom grew up in a strict Catholic family and moved to New York and became part of the Warhol factory.
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No civilisation can claim to have a monopoly on universal values and no one can claim to be always faithful to his own values.
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I love trying to forge a contract between creator and audience in which we are able to meet halfway, each injecting a part of our own experiences into a story that's being told.
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Oddly enough, I've always really loved Nightcrawler. You know who else they didn't use enough was Phoenix. I just thought her story line was so tragic. I was just really drawn to that character as well.
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I'm a big Otis Redding fan, Al Green, Stevie Wonder, Marvin Gaye. My hero is David Bowie. But I like the Beatles, the Stones.
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Directing feels great; I'm really happy to be doing this.
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I'm not big on the closet.
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Fame doesn't redeem you. It takes a long time to get there, and when you're finally there, you realise you still have authority figures telling you what to do.
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We shall find that the spheres God brings us into are not meant to teach us something but to make us something.
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A book… it’s a world all on its own too. A world made of words, where you live for a while.
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He who does not welcome the Cross does not welcome God.
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Who here wants to be a writer?' I asked. Everyone in the room raised his hand. 'Why the hell aren't you home writing?' I said, and left the stage.
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The foundation of confidence in virtually every field is preparation.
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I produced a play in New York that got nominated for an Outer Critics Circle Award for Best American Play.The play is called Stalking The Bogeyman. It was a story on This American Life, and my former roommate is the artistic director of the New York Repertory Theater. He heard the NPR show, contacted them, and essentially - shortest synopsis ever, like I'm the Cablevision guide button - it's the true story of a man stalking and plotting to kill the man who raped him when he was seven. It's by a brilliant reporter named David Holthouse.
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Well, the most important thing in choreographing for a specific tune is to get the story line and try to make your movements, rather than just actual movements, let them become more or less a physical drama to, to what they were singing about. And uh, also, uh, honor the beat and the rhythmic pattern of the musical track.
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Regarding sex education: no secrets!
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I'd tried enough to know that anything long term wasn't going to work.
