Bessel van der Kolk Quotes
Damasio starts by pointing out the deep divide between our sense of self and the sensory life of our bodies. As he poetically explains, Sometimes we use our minds not to discover facts, but to hide them. . . . One of the things the screen hides most effectively is the body, our own body, by which I mean the ins of it, its interiors. Like a veil thrown over the skin to secure its modesty, the screen partially removes from the mind the inner states of the body, those that constitute the flow of life as it wanders in the journey of each day.
Quotes to Explore
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Dance has always been my number one. I started when I was seven years old and I've had the opportunity to work with some really amazing artists.
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Rights that do not flow from duty well performed are not worth having.
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Every actor wants to do a love story, and courtesy T-Series, I got to do two back-to-back.
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You never really know as an actor; it's completely out of your control, in terms of editing, and music, and film stock, shot selection, and what takes they use.
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When I was a teenager in New York, I was buying antique clothes. I still am.
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My working history as an actor is definitely in the theatre; it certainly was in Australia.
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I am quite short, but that never comes across when I'm onstage in front of people. When I get offstage and greet an audience afterwards, their first reaction is to comment on my height because it seems like a very drastic difference.
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If I'm dancing, or teaching, or having a family I would want to live life to the fullest as possible.
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I always compare human beings to animals. It's a nice way to figure out who they are.
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The overwhelming number of police officers in Chicago are doing good work under difficult conditions. They put their lives on the line every day in situations none of us can fully comprehend or appreciate.
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It is a part of the poet's work to show each man what he sees but does not know he sees.
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If a democratic society displays less brilliance than an aristocracy, there will also be less wretchedness; pleasures will be less outrageous and wellbeing will be shared by all; the sciences will be on a smaller scale but ignorance will be less common; opinions will be less vigorous and habits gentler; you will notice more vices and fewer crimes.
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Passions are generally roused from great conflict.
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What you risk reveals what you value.
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My friend, Sue Ann, in college pulled me aside and said, 'Honey I love you but you have got to start waxing your eyebrows. They look wild!' So thank you, that kinda changed my life.
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I love film. I love going to see films; I always have. I've done quite a few.
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Chicago is fun. We've spent a lot of time there, about 15 years. My wife's parents and family live in Chicago, so that's a big selling point.
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Let's be perfectly honest. I love Rock to death. We're all different people, but Rock's a showman.
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I was a closet Journey fan when I was growing up.
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Humility is the true key to success. Successful people lose their way at times. They often embrace and overindulge from the fruits of success. Humility halts this arrogance and self-indulging trap. Humble people share the credit and wealth, remaining focused and hungry to continue the journey of success.
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Art is not an investment. Art is something you buy because you are financially solvent enough to give yourself a pleasure of living with great works rather than having to just see them in museums. People who are buying art at the top of the market as an investment are foolish.
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Competition impedes creativity because you present yourself in a way that's going to been seen by somebody outside of you. You're not very much yourself and it limits you.
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What we need to question is bricks, concrete, glass, our table manners, our utensils, our tools, the way we spend our time, our rhythms. To question that which seems to have ceased forever to astonish us. We live, true, we breathe, true; we walk, we go downstairs, we sit at a table in order to eat, we lie down on a bed on order to sleep. How? Where? When? Why? Describe your street. Describe another. Compare.
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Damasio starts by pointing out the deep divide between our sense of self and the sensory life of our bodies. As he poetically explains, Sometimes we use our minds not to discover facts, but to hide them. . . . One of the things the screen hides most effectively is the body, our own body, by which I mean the ins of it, its interiors. Like a veil thrown over the skin to secure its modesty, the screen partially removes from the mind the inner states of the body, those that constitute the flow of life as it wanders in the journey of each day.
