Bessel van der Kolk Quotes
The organism itself also has a problem knowing how to feel safe. The past is impressed not only on their minds, and in misinterpretations of innocuous events (as when Marilyn attacked Michael because he accidentally touched her in her sleep), but also on the very core of their beings: in the safety of their bodies.
Quotes to Explore
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When you really start figuring things out as a quarterback, you realize you don't have to be perfect every time, but you do have to be quick and decisive.
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I put it to you that there are no British poets, there are no British novelists. I have heard myself described as one, but I think really I'm an English novelist; there are Scottish poets and Scottish novelists.
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But you have to understand that I consider myself a very modest artist, or whatever, and not of importance really at all - it is quite embarrassing to me to be asked my opinion about things. I am only a wee Scottish poet on the outside of everything.
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I can only think of music as something inherent in every human being - a birthright. Music coordinates mind, body and spirit.
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The first and worst of all frauds is to cheat oneself.
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If all the ways I have been along were marked on a map and joined up with a line, it might represent a minotaur.
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Acting has made me embrace my childhood. It's become some weird form of therapy. It's like I have a place where I can release all of these emotions. When I was playing Ira Hayes, I didn't have to think about the death of my parents directly. It's just there. I can blend it into Ira's character. I can use Ira's emotions as an outlet.
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I am a reserved guy and need somebody to pep me up every day, Upsi does that job perfectly. She is very vivacious and outspoken, so we blend very well. We both love travelling, and we have a thing for adventure. We love being outdoors and like to ride our own boat rather than being rowed by someone else.
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It is rather for us here dedicated to the great task remaining before us, that from these honored dead we take increased devotion to that cause for which they gave the last full measure of devotion.
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'The Real World' is the most predictable arc ever. They get on the show, they're all excited, we're gonna be best friends, then people start drinking and get hammered, and say stupid stuff, and that's pretty much it.
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My mother was the influence on me - my father was absent. He was a diamond dealer; he was doing wonderful things in the background, and women were left at home. So my mother really was in charge of everything: the ballet, dance lessons, piano lessons, and latkes.
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I've just sort of jumped into relationships and moved in with people way too soon.
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I'd always heard stories about how Harpo Marx was the most talkative of the Marx brothers. I found it interesting that someone you never got to hear speak in films would never not speak in real life.
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I have a very specific memory of watching 'Singing in the Rain,' and looking at myself in the mirror after watching it and perceiving myself as one of those people that I was just watching on T.V. It was just kind of a knowing that this would be the world that I would enter into. And that's what I did.
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I think it's the actor's job - when you think of being typecast or getting out of the shadow of whatever you've had success in - it's up to you as an actor. The industry will always want to hire you for what you were successful in last and what made money. But you can say no to that and look for other parts.
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If you're 15 and you tell someone a secret, they can put it up on Facebook. If you make a mistake, someone films it on their mobile and puts it up on YouTube. When you're 15, you deserve privacy.
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It's very lucky to be able to do a job where I get to sit about writing plays all day and going to the theatre. The downside, I suppose, is that you put it out there, and people are invited to like it or loathe it.
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Forty is the old age of youth; fifty the youth of old age.
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Got your mama and sister dabbing.
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Being in the Boy Scouts, you don't think about whether people are gay or straight. You're busy putting up tents and learning to cut sausages.
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The problem in the church today is not the profession of faith, but it's possession.
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We cannot resolve the problems of the world by unsing the same techniques that have created them.
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The organism itself also has a problem knowing how to feel safe. The past is impressed not only on their minds, and in misinterpretations of innocuous events (as when Marilyn attacked Michael because he accidentally touched her in her sleep), but also on the very core of their beings: in the safety of their bodies.
