Jules François Felix Fleury-Husson (Champfleury) Quotes
Quotes to Explore
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Right now, I'm not really thinking about marriage.
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As historians, we spend days in archives, gazing at account books. We train would-be historians in the arts of deciphering letters and documents, early Latin, scribal handwriting, medieval French.
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The man who interprets Nature is always held in great honor.
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It would be hard to ignore the absence of democracy in any Arab nation.
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Our parents are obviously proud, but they're still trying to get used to the fact that we're in a band. I have a feeling my mom would actually like One Direction if I wasn't in it!
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Rebellion is what you make of it. When you've been on a tour bus for two months straight, and then you get in your car and drive wherever you want, that can feel rebellious.
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I think I've had an interesting life. I've done films, TV, theatre and got married. I don't have any regrets.
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Cultural anthropology is not valuable because it uncovers the archaic in the psychological sense. It is valuable because it is constantly rediscovering the normal.
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The truth is I was nicely brought up and taught not to show my rage even though it was building up inside.
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Growing up, I listened to a lot of American singer/songwriters, so a lot of Tom Waits, Paul Simon - also Woody Guthrie and Bob Dylan. And bands like Vampire Weekend.
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I never watch the dailies. What I usually do is have a look at the rough or final cut, and I just get something from the story. Sometimes I start composing even before the director has shot anything. The dailies don't help me at all.
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Those that set in motion the forces of evil cannot always control them afterwards.
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Mumbai is home to us. Medina was born in Munich because Roya's family lives in Germany and she had five sisters to help her while I was travelling for work.
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I started getting into Internet technologies and computers. I wasn't especially interested in being a musician, but I wound up finding my way back to being interested in music through computers.
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The ultimate storyteller is Shakespeare, who was able to get the 'groundlings' to laugh at his bawdy humor and storylines but could still be studied by scholars to this day for the complexity of his language, meter, and symbolism. That's the real guy.
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When I moved from Cambridge, I donated all my fiction. I carefully cut out pages the authors had autographed for me. I didn't want those autographed books showing up on eBay.
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If the president of the country is not actually saying something, allowing equality to happen, how could you expect to counsel kids not to bully other kids? If they're not seeing that their society sees gay people as equals, how could you tell them what they're doing is wrong? With all this stuff going on, with the "Don't ask, don't tell" and things like that, we are second-class citizens, definitely. It just seems to me that it's hypocritical for us as a culture to say, "Bullying is a terrible thing," when really, they are just reflecting what the society is doing.
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To a father growing old nothing is dearer than a daughter.
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Fly-fishing for wild trout on quiet waters must be one of the toughest and craziest ways to catch fish ever invented by man, as well as among the most frustrating and humiliating.
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I think I do pretty well with child characters. It's hard to write kids that are realistic, not annoying, and bring something to the story.
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Marketing is the way your people answer the phone, the typesetting on your bills and your return policy.
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The Last Of England works with image and sound, a language which is nearer to poetry than prose. It tells its story quite happily in silent images, in contrast to a word-bound cinema.
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A little drowsing cat is an image of perfect beatitude.
