Raymond Pettibon Quotes
It's inevitable that everyone's first drawing they draw is much like their fingerprint. It's inescapable that one has an identifiable style. It's not a major issue with me, but I never wanted to have a distinctive signature style so much.
Quotes to Explore
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One of the things we urge Y-Combinator companies to do is to have profitability in grasp. If you need to get profitable before your A round of money, you ought to be able to do that.
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We must develop huge demonstrations, because the world is used to big dramatic affairs. They think in terms of hundreds of thousands and millions and billions... Billions of dollars are appropriated at the twinkling of an eye. Nothing little counts.
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Fame has become this obsession for people, which kind of creeps me out.
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I feel like, for me, different environments are very important to me creatively. I think it's my norm to be on the move.
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Any constitutional amendment that simply gives Congress the option of regulating campaign finance fails to immediately achieve what the American people want, and that is a complete reversal of Citizens United and other Supreme Court decisions that have allowed corporations and the wealthy few to drown out the voices of everyday voters.
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I do not believe in any legacy. The past is dead and gone.
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I'm developing artists for my new record label, my son's band, Intangible, being one of them.
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Confidence is contagious. So is lack of confidence.
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I didn't even know for years that people ever even got paid for this, because they don't teach you that in school. They don't say Shakespeare got a check.
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As an actor, I want to build a career as an actor. It's hard to even get a job sometimes, so as my career builds, I can be more picky than I used to be.
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I write and rewrite and rewrite and write and like to turn in what I think is finished work.
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The non-utility of my kitchen could be transformed into its utility for art. To do a show there would mix art and life, naturally.
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I had no television when I was little, just a stack of old, beat-up comics from the 1950s and 1960s.
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I never did feel any pressure in Jamaica. You just someone, not nobody big.
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It was hard to write or compose... we just had to go back and finish making songs. If we make 20 songs, we'll throw away 10.
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I've always been attracted to action stuff.
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I like 'Star Wars.' I mean, I don't go to the conventions and dress up like Obi-Wan Kenobi or anything, but I like watching the movies.
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Now I have the bravery to do fine things.
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When I'm photographing, I look for the personal style with which something is worn - sometimes even how an umbrella is carried or how a coat is held closed.
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It has to be able to play at the maximum expression and communication in every style, and the only way you can do that is - like Verdi said - working with a file, every day, little by little, until the orchestra's collective qualities emerge.
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In 1978 I decided not to work with Man Ray as an act of self-discipline. I didn't want to rely on him. Man Ray hated not working, though. He would come into my studio, see me drawing or working on photographs, and just slump down at my feet with a big sigh. Fortunately for both of us the year ended. Polaroid had invented a new camera, the twenty-by-twenty-four, and I was invited to Cambridge, Mass., to experiment with it. Naturally, I took Man Ray and we were working again.
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If you don't hit the target, you're never gonna score.
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It's inevitable that everyone's first drawing they draw is much like their fingerprint. It's inescapable that one has an identifiable style. It's not a major issue with me, but I never wanted to have a distinctive signature style so much.
