Joe Bonamassa Quotes
If we got into a time machine and went back to the 1700s, classical and baroque music would have been the equivalent of Beyonce and Jay-Z.
Quotes to Explore
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It's just amazing that there are so many prejudices even now.
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By March '87 we're down to seven thousand, by the end of the year we're down to twelve hundred. The whole bottom just fell out of the market. It was bad for me because I was in Australia at the time.
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The issues that we face as a country and in South Florida aren't broken down by city line or county line.
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Poverty is clearly one source of emotional suffering, but there are others, like loneliness.
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Love is an obsession. It has that quality to it. But there are healthy obsessions, and mine is one of them.
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I realised there were no good role models for kids. Popeye eats spinach, but also smokes and hits people.
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It's a wonderful feeling being a bridge to the past and unite generations.
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Wit as an instrument of revenge is as infamous as art is as a means of sensual titillation.
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I've been asked to do 'I'm a Celebrity... Get Me Out of Here!' and I do get asked to do all sorts of things like that - but I don't want to put my career on hold. I'd have to take three weeks off to do something like that. Maybe it's something I'd think about after it's all ended.
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As I get older, the present and the past shift and become the past and the future... A lot of it is a new awareness of time and life and the wheel of fortune crushing you and lifting you and crushing you and lifting you.
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I was a child actor. I was this spaz kid diagnosed with ADHD, and I worked all the time.
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Nocebos often cause a physical effect, but it's not a physically produced effect. What's the cause? In many cases, it's an unanswered question.
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'Stay With Me,' for me, is my own personal anthem to the 'walk of shame...' that we've all gone through. It's the feeling after a one-night stand of not wanting that person to leave, even if you don't love them and don't even like them. It's about having that body next to you.
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End-of-the-world stories tend to ring true. I've always been drawn to them, but as I wrote my own, I found surprising pleasure in creating a world that is so radically changed, yet where there's so much meaning and value in every small and ordinary thing we have, and take for granted: hot showers, enough food, friends, routines.
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I'll give it a shot. But I don't know that a year from now I'm going to be here. Nobody does.
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World-building is my favorite pastime, so with me, I'm always about reining myself in. I don't want to lose too much of the mystery by hammering every detail to death. I did fiddle with lots of maps for 'Glass Sword,' as the second installment sees Mare, Cal and company traveling throughout their country, and that's always fun for me.
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Very few people have the guts to come up to you and say, 'Hey, are you gay?'
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Our obsession with speed, with cramming more and more into every minute, means that we race through life instead of actually living it. Our health, diet and relationships suffer. We make mistakes at work. We struggle to relax, to enjoy the moment, even to get a decent night's sleep.
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Many cats are the death of the mouse.
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When I look at the system here and look at my position - not just as a basketball player, but when I look around me at the values of the people and the culture and compare them with the values of where I came from - I feel so blessed to be from Africa.
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The music industry's very laid back while I'm very, very aggressive.
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The tech genie is out of the bottle; you can't put it back in.
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Writing 'We Are Never Getting Back Together' was one of the most hilarious experiences I have ever had in the studio because it just happened so naturally.
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If we got into a time machine and went back to the 1700s, classical and baroque music would have been the equivalent of Beyonce and Jay-Z.
