Graham Coxon Quotes
Quotes to Explore
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I was taught to play that way when I was in high school and even before I got to high school.
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For Eid - or Raya, as the Malaysians call it - we love to shop for new clothes for the festive season. There will be open houses to go to, and Malaysians love to look good for these.
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I'm an actor; I want to play roles, not a role.
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Study first, play afterwards.
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There are so many moments and works that influence us in what we do. Movies, music, TV and, most importantly, the profound everydayness of our lives.
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Anyone can be a father, but it takes someone special to be a dad, and that's why I call you dad, because you are so special to me. You taught me the game and you taught me how to play it right.
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Would I be happy just practicing law? No. Would I be happy just doing TV and speeches? No. I want to do all of these things and be as active as I can... but my main goal is to have some degree of influence on the public discussion.
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I influence anybody who is able to get through the chaos of my first impression.
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Epic were adamant that I should carry on being me. They liked the way I look, my clothes, hats... nothing's changed really.
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I had aches and pains when I played. No player is ever 100 percent, 80 percent, 85 percent. Guys that play 158 or 162 or 145, we are all in the same boat.
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I'm from New Orleans. There's a lot of vampire mystique and mythology that resonates there, and I was fascinated by it. I always wanted to play one.
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There are a lot of guys who play in pro-style offenses who are not prepared when they come out of college. Either you're coaching the quarterback to be a quarterback, or you're not.
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I wanted to play Dracula because I wanted to say: 'I've crossed oceans of time to find you.' It was worth playing the role just to say that line.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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In 'Rangoon', I play an action star of the 1940s.
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The debt we owe to the play of imagination is incalculable.
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I'm drawn to projects where I play these really complicated characters, but also where I can have some type of influence on affecting what we see as societal norms.
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I have long admired Univision - a pioneer in the industry - and recognized the tremendous potential and influence of the burgeoning U.S. Hispanic population.
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I wish to boast that Pygmalion has been an extremely successful play all over Europe and North America as well as at home. It is so intensely and deliberately didactic, and its subject is esteemed so dry, that I delight in throwing it at the heads of the wiseacres who repeat the parrot cry that art should never be didactic. It goes to prove my contention that art should never be anything else.
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Entrepreneurship is the art of finding profitable solutions to problems.
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It makes me happy to think that this world of art-as-investment is a minuscule fraction of the art world overall. Most people who create, trade and own art do it for a much simpler reason. They just like it.
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It is not the feeling sure of a doctrine (be it what it may) which I call an assumption of infallibility. It is the undertaking to decide that question for others, without allowing them to hear what can be said on the contrary side. And I denounce and reprobate this pretension not the less, if put forth on the side of my most solemn convictions.
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It's the clothes that influence the music I'm going to play.
