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Before I had published anything, I still hung out with people who liked to write. None of us had published, so there was no talk about the business, and there was probably a lot more angsty talk back then. But these days maybe there are some more laments about the culture, but I would say no.
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I think their pasts are treated with a voice that sees their role as those of innocents. That's reflected in the past time sequences. They're less "written."
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Usually, when you're talking about work with other writers it's because something seriously bad is going on with your work and you've absolutely thrown out a lifeline and you're hoping that someone will help you with something. Either there's some bad feeling you have about the work, or sometimes it's not specific - just kind of solidarity.
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For sometimes you can't help but crave some ruin in what you love.
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Like most people, Im fascinated by characters who are completely flawed personalities, riven by anguish and doubt, and are psychologically suspect.
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For at some point, each of us will be asked to embody what we feel and know.
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I think the action is ninety-three percent, and the consideration is peppered throughout but pretty short... Once I start it, I feel as though I don't want to look over my shoulder too much. I want to trust the preparations I've made.
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They're not parallel at all. They're my concerns, but how they're expressed particularly on the page is completely divorced from who I am in my street life.