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I think the action is ninety-three percent, and the consideration is peppered throughout but pretty short... Once I start it, I feel as though I don't want to look over my shoulder too much. I want to trust the preparations I've made.
Chang-Rae Lee -
For at some point, each of us will be asked to embody what we feel and know.
Chang-Rae Lee
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Not to any really influential effect, but certainly there have been comments that have surprised me. It's surprising sometimes to get particular perspectives on your work, and it's enlightening sometimes to know that non-writers and readers out there have certain assumptions about everything that I both want to keep in mind and want to forget about why I write, and about the connection between me as a private person and the stuff that I think about on the page.
Chang-Rae Lee -
So my first book I had no experience having written a book, but each book is a little snapshot of who you are at that moment, accrued all through time, so I accept that.
Chang-Rae Lee -
Most people dont think about race as much as I do. They dont have to.
Chang-Rae Lee -
Usually, when you're talking about work with other writers it's because something seriously bad is going on with your work and you've absolutely thrown out a lifeline and you're hoping that someone will help you with something. Either there's some bad feeling you have about the work, or sometimes it's not specific - just kind of solidarity.
Chang-Rae Lee -
It's not that I don't enjoy other people, but what I find with writers is this back and forth. And also, there's no need to talk about work.
Chang-Rae Lee -
For sometimes you can't help but crave some ruin in what you love.
Chang-Rae Lee