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It's not that I don't enjoy other people, but what I find with writers is this back and forth. And also, there's no need to talk about work.
Chang-Rae Lee
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There is secrecy and betrayal but that's more part and parcel of the kind of anguish that the people go through. And maybe that's modes of survival, rather than modes of consciousness.
Chang-Rae Lee
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I want the flashbacks to feel that once you're there they have their own unity, their own kind of atmospheric sensibility; I want the reader to be transported. The novel is a big, complicated, unknowable thing before it's written.
Chang-Rae Lee
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Before I had published anything, I still hung out with people who liked to write. None of us had published, so there was no talk about the business, and there was probably a lot more angsty talk back then. But these days maybe there are some more laments about the culture, but I would say no.
Chang-Rae Lee
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Most people dont think about race as much as I do. They dont have to.
Chang-Rae Lee
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I think their pasts are treated with a voice that sees their role as those of innocents. That's reflected in the past time sequences. They're less "written."
Chang-Rae Lee
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A tale, like the universe, they tell us, expands ceaselessly each time you examine it, until there’s finally no telling exactly where it begins, or ends, or where it places you now.
Chang-Rae Lee
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Usually, when you're talking about work with other writers it's because something seriously bad is going on with your work and you've absolutely thrown out a lifeline and you're hoping that someone will help you with something. Either there's some bad feeling you have about the work, or sometimes it's not specific - just kind of solidarity.
Chang-Rae Lee
