Charis Wilson (Helen Charis Wilson) Quotes
If the face appears, the picture is inevitably a portrait and the expression of the face will dictate the viewer's response to the body.
Quotes to Explore
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You should always care about what you're eating because it's your body, and you should always want to eat healthy foods, but dieting tactics in Los Angeles are really confusing. There are so many different weird diets out there.
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Man's shortcomings and sins are all due to substance of the body and not to its form, while all his merits are exclusively due to his form.
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Suppose I put polka dots all over my body and then cover my background completely with polka dots. The polka dots on my body, merging with those in the background, create an optically strange scene.
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We need worship for our spirit, fellowship for our soul and committed subservience for our body.
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The nude scenes were a little eerie and I felt a bit odd. Yeah, when the camera scanned up my body, I said to my friend, 'Now, that's a close-up.' I mean, you see every inch of my body. But I'm okay with it and so it was cool.
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Politics are usually the executive expression of human immaturity.
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I speak two languages, Body and English.
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We should purify our innate well of contentment - what a wonderful expression - and then external things will be in harmony with us.
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My body is a vehicle for the mechanics of my sport.
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I am not the perishable body, but the eternal Self.
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The body tends to treat elements in the same column of the periodic table as equivalents.
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Whoever speaks of Europe is wrong: it is a geographical expression.
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I don't really have an issue with showing certain parts of my body. I'd rather not, but it's not a big deal. Growing up in Sweden, it's natural over there.
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Pluripotent cells have the ability to grow into any cell in the body.
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Each person's body type is different, and they need to understand that food should be eaten in regular portions.
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If you have to tell a story without speaking, it's sort of like - I come from a dance background, so it's like a ballet where you have to tell a story with just your body. I think that's really interesting to have to tell a story with just your face and your mannerisms, and I'd like to tap into that world.
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If any thing is sacred, the human body is sacred.
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I love the way I look. I'm fine with it. And if my body changes, I'll be fine with that.
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There was a point in my 40s when I went into the bathroom with a bottle of wine, locked the door, and said, 'I'm not coming out until I can totally accept the way that I look right now.'
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Anyone who makes plans for after the revolution is a reactionary.
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When team members openly and passionately share their opinions about a decision, they don't wonder whether anyone is holding back. Then, when the leader has to step in and make a decision because there is no easy consensus, team members will accept that decision because they know that their ideas were heard and considered.
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For some reason, I seem to be bothered whenever I see acts of injustice and assaults on people's civil liberties. I imagine what I write in the future will follow in that vein. Whether it's fiction or non-fiction.
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If the face appears, the picture is inevitably a portrait and the expression of the face will dictate the viewer's response to the body.
