Sammy Hagar (Samuel Roy Hagar) Quotes
When they brought Roth back into the picture, obviously I didn't go along with that too well.
Quotes to Explore
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I have an older brother who is an actor as well.
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For a North Korean watcher, seeing 'The Interview' is like seeing an earnest endeavor reflected back through a freak-show mirror.
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I think we can leave mullets back in the '80s. I'm really not a big fan of them.
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I tend not to look back. It's confusing.
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When in doubt, wear a suit. Look at male politicians: you see them in a suit, and they look fine. But if you see a picture of them on the weekend or on vacation, there's a good chance they look terrible and unstylish.
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We started by playing girls who only married at the end of the picture. We didn't play wives. That came later. But the most dreadful thing was when a star had to play a mother. That was the beginning of her professional end.
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I like to take pictures of lots of things: people-such as my nephews, my dogs, and just interesting objects that I see. For instance, I might take a picture of flowers by the side of the road, an old sign or a fence.
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Well, I've been in several films including documentaries, but the big blockbuster, I was hired as advisor to the actors, I was trying to make Jesuits out of them.
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Nobody will ever notice that. Filmmaking is not about the tiny details. It's about the big picture.
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Even though I know who I am, musically I'm a blank canvas. I know what colors I want to use, but I don't know what picture I want to paint yet.
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The Rock will always come back to us.
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We are going to finish this picture just the way I want it... because you cannot compromise an artist's vision.
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The plate at each point only sends back to the eye the simple colour imprinted. The other colours are destroyed by interference. The eye thus perceives at each point the constituent colour of the image.
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I will not look back and say, 'I should have played in England.'
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I'm a bass player from way back and Paul is a guitar player and we've been in many bands.
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Violence, even well intentioned, always rebounds upon oneself.
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To put it rather bluntly, I am not the type who wants to go back to the land; I am the type who wants to go back to the hotel.
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The Real is ever-present, like the screen on which the cinematographic pictures move. While the picture appears on it, the screen remains invisible. Stop the picture, and the screen will become clear. All thoughts and events are merely pictures moving on the screen of Pure Consciousness, which alone is real.
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One of my friends, picture of health, worked out his whole life, never had a weight problem. Calls me up one day and says, 'I have pancreatic cancer.' Gone. I've lost too many friends.
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Magic Johnson was in the seventh year of his Hall of Fame career when thoughts of his basketball afterlife led him to the office of uber-executive Michael Ovitz, co-founder of Creative Artists Agency, Hollywood's most powerful agency.
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A zombie apocalypse isn't the most jovial situation.
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We take each week as it comes; we're juggling just like everybody else. It's all about spinning plates.
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You have to pretend to live in those clothes that they lived in, to live within the climate that they had then. You have to imagine with the help, obviously, of all the other technicians that are around - the writer, the director, the other actors.
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When they brought Roth back into the picture, obviously I didn't go along with that too well.
