Woodrow Wyatt Quotes
We have children because we want immortality and this is the most reliable way of getting it.
Quotes to Explore
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I was fortunate enough to get an author-backed role in Aamir Khan starrer 'Talash.'
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A physician's physiology has much the same relation to his power of healing as a cleric's divinity has to his power of influencing conduct.
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You can wear anything as long as you put a nice pair of shoes with it.
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For mascara, I'll just use whatever I have in my bag. I'll use anything. I feel like, from drugstores to a Saks, they are all the same to me.
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Fear is the major cargo that American writers must stow away when the writing life calls them into carefully chosen ranks.
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I have a Stella McCartney Adidas sports bra. I feel like I'm totally comfortable running. No problem. I have support where I need it.
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Every man's work, whether it be literature, or music or pictures or architecture or anything else, is always a portrait of himself.
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I'm a black man in the United States of America, so I always feel like there's a target on me.
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Disneyland is a work of love. We didn't go into Disneyland just with the idea of making money.
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I did absolutely grow up in a world surrounded by people who were always performing and being flamboyant.
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The return we reap from generous actions is not always evident.
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When I was 14 years old, I was talking about much more mature things because of the writers that I had at the time. My first album was tied into what the culture was at that moment, which was Jodeci, Al B. Sure, Puff, The Hitmen. I reaped the benefits of being part of Bad Boy's movement. That was my introduction.
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I always laugh a lot when I see the dramas that I end up doing. I see myself behaving very seriously and I'm like, 'What is this?'
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Design is a tool that either allows us to create new markets or disrupt existing ones.
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Age is the first limitation on roles that I've ever had to encounter, and I hit that awhile ago.
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I knew what kind of actor I was going to be, and I looked for inspiration to people like Alec Guinness, Cyril Cusack, Timothy Spall and Jim Broadbent. I looked at them and thought, 'They play human beings as they really are.'
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I want to play Eva Peron. I've already done a lot of Shakespeare, but I'd like to do Lady Macbeth.
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For, as blushing will sometimes make a whore pass for a virtuous woman, so modesty may make a fool seem a man of sense.
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The level of sacrifice in the world of dancing is incredibly intense, that work ethic if nothing else - get up, go to class, rehearsal, performance, get up, go to class - that's your life, and it's like that for a finite time, usually.
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I didn't go Hollywood on the outside with flashy cars, upstairs maids and mink-covered bathroom fixtures. I went Hollywood on the inside, and that's worst of all. I tried to avoid being natural. I lowered my voice. I copied the mannerisms of other stars. I struck poses.
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I was a pretty lousy bass player. But the band I was in couldn't find a bass player in our small town and it was more important to have a bass than keyboards, so that's what I did.
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The essence of a tragedy, or even of a serious play, is the spiritual awakening, or regeneration, of the hero.
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It's been three years since I last performed here so I'm dying to tear the roof off Wembley Arena with some old school joints and brand new bangers. When I'm done, you're gonna remember it for a long time to come.
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We have children because we want immortality and this is the most reliable way of getting it.
