Naomie Harris Quotes
The wonderful thing about drama school is that it stretches you in a way the industry doesn't.
Quotes to Explore
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Girls love guys who dance, and I'm definitely going to be the first one on the dance floor. Usually, you just see guys sitting around, but I definitely don't hold back when it comes to dancing.
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You wouldn't have won if we'd beaten you.
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For every person that doesn't like you, there's gonna be somebody who does.
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You know once you get in the business you know what you're getting into.
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When you run into something interesting, drop everything else and study it.
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We're really going after truly creating sustainability of a disease-free state, creating a complete system for managing cancer patients for life, so that you can manage from onset of disease all the way through.
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Oracle's latest database, version 12c, was specifically designed for the cloud. Oracle 12c makes all your Oracle applications multitenant applications without you having to make any changes whatsoever to your applications.
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How you leave the reader is so important - not the climax; I call it the 'exit feeling'.
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Anytime you put a movie out it's subject to such scrutiny and such criticism.
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A book is a gift you can open again and again.
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I'd previously done 'Expelled,' and that was more on the comedy side, so I really wanted to challenge myself and see if I could actually do a drama.
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Every time you make a guess of what a judge is going to do... you're wrong, so I try to stay away from that.
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Well, you can't argue with somebody that won't argue back.
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When I lived in Egypt, we always wore kaftans. I had cashmere kaftans from Halston. You put on a kaftan in your backyard, and it's like you're in Ibiza.
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No one teaches you how to be a famous person; no one teaches you how to be a role model. It's something you have to do on your own.
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Hollywood is a place where they place you under contract instead of under observation.
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If you are a kid, reading is really important stuff.
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You know, I'm from the South, and I wasn't interested in perpetuating a stereotypical southern character.
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The '90s was a decade of mundane market-consumer nothingness where there was nothing coming up from the streets; you just had someone in an office deciding what was cool.
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It may be inverted snobbishness but I don't want old style, Old Etonian Tories of the old school to succeed me and go back to the old complacent, consensus ways. John Major is someone who has fought his way up from the bottom and is far more in tune with the skilled and ambitious and worthwhile working classes than Douglas Hurd is.
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In order to dream so far, is it enough to read? Isn't it necessary to write? Write as in our schoolboy past, in those days when, as Bonnoure says, the letters wrote themselves one by one, either in their gibbosity or else in their pretentious elegance? In those days, spelling was a drama, our drama of culture at work in the interior of a word.
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Al Qaeda has no place in Pakistan. It's a threat to Pakistan. And there should be a convergence of interests between the Pakistani state and the West on security issues, but also on wider economic and social issues.
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I always found the appeal to the market gods a bit odd. Why would the market fix mistakes instead of aggravating them?
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The wonderful thing about drama school is that it stretches you in a way the industry doesn't.
