Randall Jarrell Quotes
The usual criticism of a novel about an artist is that, no matter how real he is as a man, he is not real to us as an artist, since we have to take on trust the works of art he produces.
Quotes to Explore
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I think of other artists as generous when I get inspired by their work. That's why I like curating. You don't want to take someone else's art and have your way with it. You've got to be respectful of them.
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The modern tradition is the tradition of revolt. The French Revolution is still our model today: history is violent change, and this change goes by the name of progress. I do not know whether these notions really apply to art.
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You must not fight too often with one enemy, or you will teach him all your art of war.
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I had parents in the business and they made sure that the art was the biggest concern.
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I was at art school that had quite a celebrated film course as well. I tried for that film course when I was 18, but they said I was too young. I tried this audio and visual design course instead. Two years later, I reapplied for that higher course, but they said I was still too young and to try in five years.
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If you love things or ideas or people that contradict each other, you have to be prepared to fight for every square inch of intellectual real estate you occupy.
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My mom just understands about stuff. We have a really good trust, and she knows I can take care of myself.
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I think what is happening is I think first of all there is confidence in the U.K. economy. We're in a German rather than a Greek position in international financial markets, which is very positive and keeps our debt service costs down, and we're also beginning to see real evidence of rebalancing.
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Australian genre films were a lot of fun because they were legitimate genre movies. They were real genre films, and they dealt, in a way like the Italians did, with the excess of genre, and that has been an influence on me.
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We all know guys who've had their hearts broken in real life; we just don't usually see it in the movies.
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The talk about balance, nuclear balance, seems to me to be metaphysical and doesn't seem to be real at all.
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I'm shy. I am. I mean, if I get around, you know, in a room of a bunch of people especially I - you know, I don't know or - it takes me a while to warm up. I'm - and the real me, I'm not as witty as, you know, as the comic Wanda. The comic, she's had time to work on some things.
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You don't repair that relationship by sitting down and talking about trust or making promises. Actually, what rebuilds it is living it and doing things differently - and I think that is what is going to make the difference.
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I think that's what art is about: to provoke you. It helps me make sense of a senseless universe because I become the god of the story. I create it, and I see it in all its lineaments in my own way and can control it – in a world in which everything else is out of control.
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People realised this is real pollution; it is not fog. Now everyone has to face the data and come out of their comfort zone.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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You have to trust your kids. They have to experience life, and you just hope you've provided them a foundation for what's right and what isn't.
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We need the world to respect us. They consume a lot of hits and just act like it wasn't... I ain't never seen nobody make these many hits and not get notified for it. And change the game like we did and bring the flow to the game the way we did and not get noticed for it, like the the big way - the real system way.
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I don't need art to tell me people are assholes. I can just go into the streets.
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I'm your average Joe guy. I don't really care for politicians.
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Dancing is kind of my thing. I go out with my friends as often as I can on the weekends, and I'm always drawn to girls with rhythm.
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The usual criticism of a novel about an artist is that, no matter how real he is as a man, he is not real to us as an artist, since we have to take on trust the works of art he produces.
